Journalist and memoirist Graham Caveney speaks to Jack Aldane on this eighth episode of the series about Martin Amis's iconoclastic fifth novel Money: A Suicide Note.

He and the host discuss the novel's true subject, which runs counter to popular interpretation. Though Money is often celebrated as the quintessential novel of the 80s, Caveney argues it is as much if not predominantly a story about the 60s, of which the 80s was arguably the last, lurid hurrah.

And of course, they discuss the novel’s protagonist John Self, who shows what happens when yobbish machismo meets a culture of convenience and excess, and whose farcical downfall makes Money an early diagnosis of the human condition under neoliberalism.

Caveney explains the novel's impact on his generation. By the closing decades of the 20th century, he says, aspirant writers in the UK were resigned to thinking about the English novel as a relic of the pre-war era. With the American canon at the helm, Britain was losing its voice in contemporary fiction. By writing Money Amis single-handed tore up the rulebook, proving that it was once more possible for English writers to take on the zeitgeist with originality and authority. For Caveney, Money was a cultural watershed on par with the greatest seminal moments in modern music.

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