Performance Anxiety

By: Marc Shea
  • Summary

  • Have you ever wanted to sit down with your favorite artists and talk about what happens behind the scenes? Have you wanted to hear the crazy stories about recording, touring, and creating art that we all know exist? Performance Anxiety gets those stories for you.
    Copyright 2020 All rights reserved.
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Episodes
  • Django Haskins (The Old Ceremony)
    Dec 19 2024
    Today’s guest is a busy guy. He never seems to stop working. It’s Django Haskins from The Old Ceremony. And with a name like Django, your future is basically pre-determined. Music was big part of his parents’ (and therefore, his) lives. His parents were a folk duo and had Django playing classical violin at age five. He’s been in rock bands since the age of thirteen. And that includes while he was studying literature at Yale and spending a year in China. DId I mention that he got life advice from Ike & Tina’s sax player? Well he did. And it stuck because his band, The Old Ceremony, is celebrating 20 years together. Django talks about how he went from Django & The Regulars, International Orange, Au Pair, and Big Star’s Third to The Old Ceremony’s latest release called Earthbound. That journey includes writing and pasta sessions at Jack Hardy’s place, moving from NYC to NC, and writing over 100 songs during the pandemic. Earthbound is The Old Ceremony’s first album in nine years, but it was worth the wait. Pick it up wherever you get music or through theoldceremony.com. Follow them on social media @theoldceremony. Follow us @PerformanceAnx and grab some merch at performanceanx.threadless.com. Send us coffee money through ko-fi.com/performanceanxiety. I hope you enjoy this conversation with Django Haskins of The Old Ceremony as much as I did on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 13 mins
  • John Mlynczak (NAMM)
    Dec 7 2024
    Today’s guest schooled me…about NAMM, the North American Music Merchants. Welcome NAMM President and CEO, John Mlynczak. Before we get into the meat of what NAMM is and does, John talks about his musical history. Music and music education have always been an important part of his life. He pursued that path from Virginia all the way to LSU; but I won’t hold that against him. He talks about creating the first music technology curricula in the state of Louisiana and how that led him to a job with PreSonus, who make music software, monitors, mixers, and more. That led to a great opportunity with music publishing company, Hal Leonard. John also talks about the very long process of becoming the President and CEO of NAMM. But before that, he gives a little history of NAMM and shares some of his own experiences at NAMM shows, before he started working there. I learned what goes into planning each NAMM show, what to expect if you go, and how NAMM is expanding to include content creators and influencers. NAMM is an industry show, and John talks about how they’ve evolved over the years. John explains what NAMM offers its members at the show and throughout the year. He also tells me about NAMM Next and the amazing NAMM archives. John also talks about how COVID affected them, how it made them innovate, and how NAMM is bouncing back, better than ever. Go to NAMM.org to get information about what they do and how to attend the 2025 NAMM show. Follow them @thenammshow on social media. Follow us @PerformanceAnx on social media. Merch is available at performanceanx.threadless.com. You can send us money to get to NAMM at ko-fi.com/performanceanxiety. And now please welcome John Mlynczak of NAMM on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 9 mins
  • Chris Greene
    Nov 30 2024
    This guest is not what I expected. Welcome jazz saxophonist Chris Greene to the podcast. I was worried that he’d be a jazz snob but he was the exact opposite. He was happy to teach me what he could in an hour podcast. And that included learning how he got into jazz. It all started to make sense to Chris in high school. He went on to study jazz at Indiana, which is where he started playing in bands outside of school for the first time.He formed Chris Greene & New Perspective. He had some definite ideas and plans for that group. He talks about what worked and what didn’t. He also talks about how that band ended and the Chris Greene Quartet began. And he avoided playing tenor sax for quite a long time and for a specific reason. But he eventually succumbed to its draw. Chris and I talk about why jazz seems to be open to doing unusual cover songs and some of the unusual ones that he’s done. He was also influenced by some very unusual covers by some jazz heavyweights. Chris talks about how the quartet goes about songwriting and the story behind the title of their second album. They have a new album out called Conversance. He discusses that name and the music on the album, including a special song with a connection to his son. We also talk about the writing process which includes road testing their songs. Check out Conversance on Pravda Records. It’s their very first jazz release ever! Pick it up through them or wherever you get music. Follow Chris on the socials @chrisgreenejazz. Follow us @PerformanceAnx on socials. Grab our merch at performanceanx.threadless.com or send coffee money through ko-fi.com/performanceanxiety. I’ve managed to steer clear of all jazz puns so far. Let’s keep that going with Chris Greene on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 17 mins

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