On Satire

By: London Review of Books
  • Summary

  • Clare Bucknell and Colin Burrow attempt, over twelve episodes, to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in all of English literature. What is satire, what is it for, and why do we seem to like it so much?


    Clare Bucknell and Colin Burrow are both fellows of All Souls College, Oxford.


    Episodes will appear once a month throughout 2024, on the 4th of each month.


    Hosted on Acast. See acast.com/privacy for more information.

    London Review of Books
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Episodes
  • 'A Handful of Dust' by Evelyn Waugh
    Nov 4 2024

    In 1946 Evelyn Waugh declared that 20th-century society – ‘the century of the common man’, as he put it – was so degenerate that satire was no longer possible. But before reaching that conclusion he had written several novels taking aim at his ‘crazy, sterile generation’ with a sparkling, acerbic and increasingly reactionary wit. In this episode, Colin and Clare look at A Handful of Dust (1934), a disturbingly modernist satire divorced from modernist ideas. They discuss the ways in which Waugh was a disciple of Oscar Wilde, with his belief in the artist as an agent of cultural change, and why he’s at his best when describing the fevered dream of a dying civilisation.

    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

    Directly in Apple Podcasts: https://apple.co/4dbjbjG

    In other podcast apps: lrb.me/closereadings

    Further reading in the LRB:

    Seamus Perry:

    https://www.lrb.co.uk/the-paper/v45/n16/seamus-perry/isn-t-london-hell

    John Bayley:

    https://www.lrb.co.uk/the-paper/v16/n20/john-bayley/mr-toad


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    16 mins
  • 'The Importance of Being Earnest' by Oscar Wilde
    Oct 4 2024

    By the end of 1895 Oscar Wilde’s life was in ruins as he sat in Reading Gaol facing public disgrace, bankruptcy and, two years later, exile. Just ten months earlier the premiere of The Importance of Being Earnest at St James’s Theatre in London had been greeted rapturously by both the audience and critics. In this episode Colin and Clare consider what Wilde was trying do with his comedy, written on the cusp of this dark future. The ‘strange mixture of romance and finance’ Wilde observed in the letters of his lover, Alfred Douglas, could equally be applied to Earnest, and the satire of Jane Austen before it, but is it right to think of Wilde’s play as satirical? His characters are presented in an ethical vacuum, stripped of any good or bad qualities, but ultimately seem to demonstrate the impossibility of living a purely aesthetic life free from conventional morality.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

    Directly in Apple Podcasts: https://apple.co/4dbjbjG

    In other podcast apps: lrb.me/closereadings


    Read more in the LRB:

    Colm Tóibín on Wilde's letters: https://www.lrb.co.uk/the-paper/v23/n08/colm-toibin/love-in-a-dark-time

    Colm Tóibín the Wilde family: https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-gaol

    Frank Kermode: https://www.lrb.co.uk/the-paper/v09/n19/frank-kermode/a-little-of-this-honey


    Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.


    Get in touch: podcasts@lrb.co.uk


    Hosted on Acast. See acast.com/privacy for more information.

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    15 mins
  • Byron's 'Don Juan'
    Sep 4 2024

    Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in Don Juan, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the tradition of Cervantes, Swift and the Stoics, and refuses to take anything seriously for longer than a stanza. But is there more to Don Juan than an attention-seeking poet sustaining a deliberately difficult verse form for longer than Paradise Lost in order ‘to laugh at all things’? In this episode Clare and Colin argue that there is: they see in Don Juan a satire whose radical openness challenges the plague of ‘cant’ in Regency society but drags itself into its own line of fire in the process, leaving the poet caught in a struggle against the sinfulness of his own poetic power, haunted by its own wrongness.

    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

    Directly in Apple Podcasts: https://apple.co/4dbjbjG

    In other podcast apps: lrb.me/closereadings

    Read more in the LRB:

    Clare Bucknell: Rescuing Lord Byron

    https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind

    Marilyn Butler: Success

    https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success

    John Mullan: Hidden Consequences

    https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences

    Thomas Jones: On Top of Everything

    https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything


    Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.


    Get in touch: podcasts@lrb.co.uk


    Hosted on Acast. See acast.com/privacy for more information.

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    18 mins

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