New Books in South Asian Studies

By: New Books Network
  • Summary

  • Interviews with Scholars of South Asia about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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Episodes
  • Ruth Vanita, "A Slight Angle" (India Viking, 2024)
    Nov 14 2024
    A Slight Angle (India Viking: 2024), the newest novel from Indian writer Ruth Vanita, is a story about love. Difficult love–her six characters are growing up in 1920s India, which takes a dim view of same-sex relationships, and those that transcend religious boundaries. Like Sharad, the jewelry designer who falls in love with his teacher, Abhik–only for the embarrassment to keep them apart for decades. Ruth Vanita is the author of many books, most recently The Broken Rainbow: Poems and Translations (Copper Coin Publishing: 2023); the novel Memory of Light (Penguin Random House India: 2022); The Dharma of Justice in the Sanskrit Epics: Debates on Gender, Varna and Species (Oxford University Press: 2022); Love’s Rite: Same-Sex Marriages in Modern India (Penguin Books India: 2005). She has translated several works from Hindi to English, including Mahadevi Varma’s My Family (Penguin Books India: 2021). She co-edited the path-breaking Same-Sex Love in India, and edited and translated On the Edge: A Hundred Years of Hindi Fiction on Same-Sex Desire (India Viking: 2023). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Slight Angle. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    34 mins
  • Tyler W. Williams, "If All the World Were Paper: A History of Writing in Hindi" (Columbia UP, 2024)
    Nov 14 2024
    In If All the World Were Paper: A History of Writing in Hindi (Columbia UP, 2024), Tyler W. Williams puts questions of materiality, circulation, and performance at the center of his investigation into how literature comes to be defined and produced within a language, specifically, premodern Hindi. Williams proposes new methods for working with written text artifacts and a new approach to theorizing and writing Hindi literary history. He responds to recent developments in quantitative and qualitative approaches to book history - including tools developed within the digital humanities - by applying new as well as traditional techniques of paleography, codicology, and bibliography to handwritten copies of romances, epics, songbooks, treatises, and scriptures. To make the book more accessible and enjoyable for cross-disciplinary readers, Williams bookends (so to speak) each chapter with the story of a specific artifact - an ascetic's notebook, a Mughal general's storybook, a pandit's textbook, or a guru's copy of a sacred scripture - in order to pose and then apply the questions about writing, textuality, and performance that the chapter addresses. By combining distant and close reading that is mindful of the materiality of these manuscripts, Tyler reveals literary, intellectual, and religious practices that we would otherwise be unable to see. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    45 mins
  • Nandini Sundar, "The Burning Forest: India's War In Bastar" (Verso, 2019)
    Nov 12 2024
    The Burning Forest: India's War Against the Maoists (Verso, 2019) by Nandini Sundar is an empathetic, moving account of what drives indigenous peasants to support armed struggle despite severe state repression, including lives lost, homes and communities destroyed. Over the past decade, the heavily forested,mineral-rich region of Bastar in central India has emerged as one of the most militarized sites in the country. The government calls the Maoist insurgency the “biggest security threat” to India. In 2005, a state-sponsored vigilante movement, the Salwa Judum, burnt hundreds of villages, driving their inhabitants into state-controlled camps, drawing on counterinsurgency techniques developed in Malaysia, Vietnam and elsewhere. Apart from rapes and killings, hundreds of ‘surrendered’ Maoist sympathisers were conscripted as auxiliaries. The conflict continues to this day, taking a toll on the lives of civilians, security forces and Maoist cadres. In 2007, Sundar and others took the Indian government to the Supreme Court over the human rights violations arising out ofthe conflict. In a landmark judgment, the Court in 2011 banned state supportfor vigilantism. The Burning Forest describes this brutal war in the heart of India, and what it tells us about the courts, media and politics of the country. The result is a granular and critical ethnography of Indian democracy over a decade. Nandini Sundar is a Professor of Sociology at the Delhi School of Economics, Delhi University, and has been visiting Bastar for over 25 years. Her first book, Subalterns and Sovereigns: An Anthropological History of Bastar (1854-1996) is an authoritative account of Bastar's colonial and post-colonial past. Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    53 mins

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