New Books in German Studies

By: Marshall Poe
  • Summary

  • Interviews with Scholars of Germany about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
    New Books Network
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Episodes
  • Karel Margry, "Nordhausen Concentration Camp" (After the Battle, 2024)
    Jan 31 2025
    In the history of Nazi concentration camps, and particularly labor camps, there is probably no place that bears the same stigma of wretchedness as 'Dora-Mittelbau' at Nordhausen. Located in the Harz mountains in central Germany, next to a quarry tunnel system in the Kohnstein mountain, it served to house thousands of slave workers for an underground factory known as the Mittelwerk, which produced three of Germany's best-known secret weapons: the V1 flying bomb, the V2 rocket and jet engines for the Me 262 and Ar 234 fighters. With over 20 kilometers of underground galleries, it was the largest underground factory in the world. Many of the inmates died in indescribable misery, being forced to extend the tunnels with meager equipment and under ghastly conditions, sometimes not seeing daylight for weeks on end. Started in August 1943, 'Dora-Mittelbau' in due course became the centre of a whole complex of underground factories in the Nordhausen area, with several subsidiary camps being set up. In all, of some 60,000 prisoners sent there between 1943 and 1945, 20,000 were driven to extinction to implement Nazi Germany's secret weapons program, but they labored late and in vain, for the products they yielded had little impact on the war. The V1 and V2 are the only weapons which cost more lives in production than in deployment: far more people died producing them than were killed from their impact in London, Antwerp and elsewhere. The history of Nordhausen, already gruesome in itself, ended in a crescendo of violence when, in the final weeks of the war, the surviving inmates were evacuated from the camps in 'death marches'. One group of over a thousand men then became victim of one of the most horrendous of all Nazi atrocities. On April 13, 1945, just outside the town of Gardelegen, their SS camp guards, helped by local troops and Hitlerjugend, locked the prisoners in a big barn and set fire to the inside, burning those inside, killing them with hand-grenades, and shooting anyone who tried to escape from the burning, smoke-filled building. A total of 1,016 men died as a result. When discovered by American troops two days later, Gardelegen quickly became known as the site of one most notorious war crimes committed by the Nazis. In this book, Karel Margry recounts the history of Nordhausen concentration camp and of the Gardelegen massacre in full detail. Both stories are illustrated with unique Then and Now comparison photographs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
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    1 hr and 38 mins
  • Edward Westermann, "Hitler's Ostkrieg and the Indian Wars: Comparing Genocide and Conquest" (U Oklahoma Press, 2016)
    Jan 29 2025
    As he prepared to wage his war of annihilation on the Eastern Front, Adolf Hitler repeatedly drew parallels between the Nazi quest for Lebensraum, or living space, in Eastern Europe and the United States's westward expansion under the banner of Manifest Destiny. The peoples of Eastern Europe were, he said, his "redskins," and for his colonial fantasy of a "German East" he claimed a historical precedent in the United States's displacement and killing of the native population. Edward B. Westermann examines the validity, and value, of this claim in Hitler's Ostkrieg and the Indian Wars: Comparing Genocide and Conquest (University of Oklahoma Press, 2016). The book takes an empirical approach that highlights areas of similarity and continuity, but also explores key distinctions and differences between these two national projects. The westward march of American empire and the Nazi conquest of the East offer clear parallels, not least that both cases fused a sense of national purpose with racial stereotypes that aided in the exclusion, expropriation, and killing of peoples. Westermann evaluates the philosophies of Manifest Destiny and Lebensraum that justified both conquests, the national and administrative policies that framed Nazi and U.S. governmental involvement in these efforts, the military strategies that supported each nation's political goals, and the role of massacre and atrocity in both processes. Important differences emerge: a goal of annihilation versus one of assimilation and acculturation; a planned military campaign versus a confused strategy of pacification and punishment; large-scale atrocity as routine versus massacre as exception. Comparative history at its best, Westermann's assessment of these two national projects provides crucial insights into not only their rhetoric and pronouncements but also the application of policy and ideology "on the ground." His sophisticated and nuanced revelations of the similarities and dissimilarities between these two cases will inform further study of genocide, as well as our understanding of the Nazi conquest of the East and the American conquest of the West. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
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    1 hr and 38 mins
  • Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)
    Jan 29 2025
    Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
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    59 mins

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