New Books in French Studies

By: Marshall Poe
  • Summary

  • Interviews with Scholars of France about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
    New Books Network
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Episodes
  • Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)
    Jan 29 2025
    Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    59 mins
  • Udo Hock, "The Mysterious Messages of the Other: On the Work of Jean Laplanches" (Psychosozial-Verlag, 2024)
    Jan 26 2025
    Udo Hock's Die rätselhaften Botschaften des Anderen. Zum Werk Jean Laplanches (The enigmatic messages of the other. On the work of Jean Laplanche), came out in 2024 with Psychosozial-Verlag, and collectes nine essays that Hock published over the past twenty years. Published in 2024 to celebrate Laplanche's centennial, these papers are a crucial contribution to Laplanche studies from one of its key actors. Hock is not only a reader and commentator of Laplanche, but also an editor and translator of many of Laplanche's German-language translations. Hock has a real eye for the complexities of Laplanche's work, and he thinks Laplanche together with other thinkers such as Žižek or figures of French Theory. Hock is steeped in French Theory and its milieu, of which he himself has been a member for the past forty years. He proposes to psychoanalysis a shift away from its monothematic anglophilia toward an appreciation of the French schools. I recommend reading closely these essays to anyone capable of reading German. They open up another Laplanche, the Laplanche of linguistic sublety and conceptual ingenuity. All the while Hock offers critical re-examinations of central psychoanalytic notions through his engagment with Laplanchian concepts such as seduction, mytho-symbolism or the message. The interview itself has a wonderfully explorative and open-ended quality. Hock really embarked on a journey of thinking, when he spoke of Laplanche, Lacan, Klein, and other other ideas central Laplanche's work. i greatly enjoyed this interview for its meditative quality, for the fact that Hock dwelled on topics, excavating what lies beneath the surface. Interview conducted by Myriam Sauer (in person, so at times the voices may become a bit silent) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    1 hr and 12 mins
  • Hélène Tessier, "Laplanche's Vocabulary" (PUF, 2024)
    Jan 24 2025
    In Vocabulaire de Laplanche (PUF, 2024), edited by the renowned scholar and analyst, Hélène Tessier, several of the key readers of Jean Laplanche's work propose what is nothing short of a revelation for Laplanche studies. Theirs is a vocabulary that provides a concise and accessible dictionary of key Laplanchian terms, inviting readers of Laplanche's work to engage with the French psychoanalyst's work. In a wide-ranging conversation, professor Tessier delves into Laplanche's work, highlighting the importance of linking/dellinking to his thinking, establishing connections with sublimation and questions of culture and the drives. Tessier embarks on a real tour de force, reconstructing Laplanche's work with the utmost of passion. It was a wonderful conversation that has me ever convinced in stating that this book is a must-have for any Francophone psychoanalyst or scholar of psychonalysis. Interview conducted by Myriam Sauer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    1 hr and 28 mins

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