When Evil Lurks is a brutal Argentinian horror film blending supernatural terror with real-life issues of faith, isolation, and environmental contamination. Follow along as Ghouls review how Demián Rugna’s tale of demonic possession taps into Argentina’s struggle with pesticide exposure, exploring how folklore and cultural fears bring a chilling depth to the film’s relentless horror.

The Ghouls explore Immaculate, a psychological horror film that delves into themes of bodily autonomy and the dark side of faith through the story of a nun's involuntary pregnancy. We also tackle the systemic misogyny within the Catholic Church, examining how nuns are marginalized and how the Church’s stance on reproductive rights reflects hypocrisy. Join us as we unpack the chilling connections between this horror narrative and real-world issues surrounding women's rights, control, and abuse within religious institutions.

Late Night with the Devil is a campy horror that cleverly intertwines reality with the supernatural. Join us as we unpack Jack Delroy’s desperate bid for ratings, culminating in a live séance that spirals into chaos. Gabe discusses the film’s bold commentary on media manipulation and our obsession with the occult, drawing parallels to real-life spiritualism. Kat uncovers the mysterious Bohemian Grove, the secretive society that inspired the film’s cult elements, and how its rituals echo in the eerie world of Jack Delroy’s Night Owls.

Longlegs is a psychological thriller about a supernatural satanic panic killer, who murders without ever touching his victims. From twisted coming-of-age stories to the sinister use of dolls as instruments of control, we examine the cultural obsession with preserving and corrupting girlhood through fear, trauma, and moral panic. We delve into how government investigations mirrored societal anxieties about protecting innocence during the Satanic Panic of the 80s and 90s.

Suspiria (2018) is a haunting exploration of power, control, and the horrors of fascism, set against the backdrop of Cold War-era Berlin in 1977. Gabe discusses the differences in the two films, unpacks the themes of facism and guilt, as well as defines the three mothers and their role in Argento's world. Kat gives us a history lesson to understand the setting of this Suspiria and the motivation for the coven, dancers, and the psychologist.

Maxxxine is the final neon-soaked chapter of Ti West's trilogy, blending genres influenced by their respective decades. Gabe talks about how sexuality is explored in Ti West's trilogy and gives us a film history lesson on video nasties. Kat talks about the 1980s Satanic Panic craze.

The Witch is a psychological, folktale horror film that offers us a slow descent into a puritanical satanic panic. A witchy crucible tale that subverts the traditional empowering women narratives we're used to. Gabe shares what they took from the film and why a second watch left them terribly depressed. Kat gives a history lesson on Puritans, what brought them to the New World and what makes them different from the Separatists.

I Saw the TV Glow is an experimental, horror film that has audiences facing and exploring their identities. A personal tale of gender dysphoria, the film is heartbreaking and bizarre. Gabe talks about Owen's struggles with their identity, zipping yourself back up to conform to society, and why the sad ending isn't an ending at all. Kat talks about the millennial struggle for identity, how a generation raised by TV saw themselves on screen, and that it's not too late to find yourself.