In the last episode, I briefly described my grandfather, who was a lifelong mystic, and his reactions to the dream I’d had about my father and his ring, which was followed by its mysterious disappearance. I also mentioned another unusual incident concerning the ring that took place about twenty years later, when a friend told me about a vivid dream he’d had where my father had given him a message for me, saying that I should “remember the ring.” Now this wasn’t a childhood friend, he knew nothing about my father, and had no idea if this message was going to mean anything to me at all. As you can imagine, the fact that it had come through a completely objective third party and had happened a full twenty years after the original incident made quite an impact on me. So, that completes this part of the narrative. In summary, even though my life had been turned upside down by the sudden death of my father, which had been accompanied by two inexplicable events that had defied all logic, I put it all behind me, or so I thought. I continued with my eleventh-grade life, which basically meant that I returned to my everyday state of constant activity. Now, as I’ve mentioned a few times earlier, this podcast narrative focuses on the massive evolution of consciousness that began in the early1960s, as experienced through my own individual lens, which brings us now to the middle of 1966. On a larger level, at this time two huge influences were beginning to shake American society to its core – First, the enormous evolution of the Beatles and their profound impact on popular culture, and second, the war in Vietnam. With the Beatles, as we mentioned in the last episode, at the end of 1965, they had come out with their revolutionary album, Rubber Soul, which George Harrison said was the first music they made when they were all regularly smoking marijuana. It had enormous appeal and was having a major effect on all of popular music. By the way, their old friend Bob Dylan was breaking some new ground of his own. In March of 1966, he brought out a radical new song that caught everyone’s attention. Its free-wheeling, raucous sound was far more in the style of a New Orleans Dixieland band than of rock and roll. And in the wild chorus, with his background musicians singing along in high hysterics, he kept repeating the signature line, “Everybody must get stoned.” The song was over four and a half minutes long and got a ton of airplay on almost every pop radio station. So, on a daily basis, with a clever twist of words and a message that was unmistakable, millions of music fans would listen to Dylan constantly urge them to try marijuana. It was quite an advertisement. A few months later, the Beatles took it all one step further when they released their groundbreaking album, Revolver. Again, according to George Harrison, while Rubber Soul was the first album they made under the influence of marijuana, Revolver was the first one they made under the regular influence of LSD. The easiest way to describe this remarkable collection of songs is that it was incredibly trippy. One song, “Love to You” followed the form of a classic Indian raga, complete with sitar and tablas. Nothing like it had ever been heard in the west before. Another major breakthrough was the soul-stirring “Eleanor Rigby,” which brought an entirely new level of depth to the Beatles repertoire. All the other songs on the album became instant classics as well, but one track, “Tomorrow Never Knows,” deserves some special attention because it was specifically designed to boost the evolution of consciousness. Apparently, John Lennon had been influenced by a book called, The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead, by Timothy Leary, Richard Alpert, and Ralph Metzner. The book claimed that under the influence of LSD, it was possible to shed the limiting nature of constant ego identification and emerge into a higher, more enlightened level of awareness. And it gave step by step instructions on how to do it. Supposedly, after Lennon bought the book, he took LSD and followed the instructions to a tee. Soon after that, he wrote the song, with the psychedelic nature of the music combined with the mind-expanding lyrics. He said he wanted to sound like the Dalai Lama chanting on top of a mountain, as he enlightened the public to the message of possible God realization that underlies the LSD experience. “Turn off your mind relax and float downstream,” he sang. “It is not dying, it is not dying. Lay down all thoughts, surrender to the void. It is shining, it is shining. That you may see the meaning of within. It is being, it is being. That love is all and love is everyone. It is knowing, it is knowing…” Some years later, George Harrison offered an interesting perspective ...
