Delicious Word Sandwich

By: That's Not Canon Productions
  • Summary

  • Picking each story’s ingredients carefully, from their yeasty origins to their hammy plots, Ol’ Matty Hannibal Butler boldly chews through zesty summaries, meaty analysis, then tells you once and for all, without pretension or apology, if that word sandwich is still fresh and, of course, delicious. Has Ol’ Matty Hannibal Butler bit off a bite more than he could chew? Probably. But where there’s a will, there’s a Hemingway. And it’s all worth it for a bite of that Delicious Word Sandwich. Delicious Word Sandwich: readable edibles; eat with your whole face.

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    Copyright 2018 That's Not Canon Productions
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Episodes
  • Beautiful, Frightening and Silent with Jennifer Gordon
    May 18 2020

    Disgraced wastrel and former history Professor R.B. Ol' Matty discovers and begrudgingly introduces the first ever Delicious Word Sandwich frozen tape! Here, Ol' Matty had the absolute honour of discussing Shirley Jackson's "The Haunting of Hill House" and Jennifer Gordon's debut novel "Beautiful, Frightening and Silent" with none other than the author herself, Jennifer Gordon. Sharing their writing dreams, triumphs, trials and literary tattoo ideas, Ol' Matty and Jennifer Gordon delve into wonderful psychological journeys and grapple soul-curdling horror to masterfully conjure not one, but two Delicious Word Sandwiches of the most unique, experimental, delectable and appropriately terrifying nature. Dr Jekyll wishes he could do horror and madcap concoctions this good.

    Jennifer Gordon's Beautiful, Frightening and Silent is available on Amazon and Kindle Unlimited.

    EPISODE NOTES:

    As we know, your ol' pal Ol' Matty is lost in time. According to some misprinted history textbooks, he has spent/is spending much time in Paris trying to defeat Jim Pawsby, the immortal demon bear that has declared itself the dark monarch of the city of lights. While he is doing that, the disgraced wastrel and former history Professor R.B. Ol'Matty reluctantly introduces a prized relic of Delicious Word Sandwich history: the frozen tapes. Why Ol' Matty recorded dynamite interviews onto tape, then put those tapes into the freezer, is anyone's guess. Then again, no one should be surprised.

    The tape, however, is surprising. Ol' Matty blows nothing up, doesn't destroy any prized monuments or summon any kind of scourge of the world. Instead, what follows is a fun and in-depth chat with author Jennifer Gordon about her favourite works by Shirley Jackson, what sandwiches they would make, how to properly support and gently stalk your favourite author, and her own debut novel, "Beautiful, Frightening and Silent", the tale of an alcoholic man tortured by survivor's guilt who journeys to a haunted island for the chance to see the ghost of his four-year old son, only to find a crumbling old boarding house and himself becoming involved with a beautiful and manipulative ghost who has spent 60 years tormenting the now elderly man who was her lover, and ultimately her murderer.

    Beautiful, Frightening, and Silent is a poetic fever dream of grief, love, and the terrifying ways that obsession can change who we are.

    Love stories? Love hearing about the tales of old with Ol' Matty but want to know them yourself? Want to join the Book Club Sandwich but don't have the time or desire to sit down and read? Well, you dolt, check out Audible, where you can drive to your destination and faraway lands all at once. P.S. Audible, please sponsor me.

    Until next time, my Quixotes!

    Links:

    Goodreads: https://www.goodreads.com/book/show/51712363-beautiful-frightening-and-silent

    Amazon: https://www.amazon.com/gp/product/B0854877HS/ref=x_gr_w_bb_sout?ie=UTF8&tag=x_gr_w_bb_sout-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B0854877HS&SubscriptionId=1MGPYB6YW3HWK55XCGG2

    Find us on FACEBOOK, TWITTER, or EMAIL us on deliciouswordsandwichpodcast@gmail.com

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    1 hr and 9 mins
  • The Phantom of the Opera Sandwich
    Nov 18 2019

    Ol' Matty is kicking back after some well earned dishonourably discharged R&R when he realises that the demon bear terrorising Paris might be somewhat his fault. When a wise cricket tries to give him advice, Ol' Matty heeds by destroying the plane and landing in the Paris Opera, toppling a chandelier into an innocent and aiding a kidnapping in one less-than-heroic swing. Realising that Gaston Leroux's famous alleged Opera Ghost has turned the Opera into a deadly extension of their devious self, Ol' Matty follows the Phantom to his lair hoping to find the bear, in truth, under the pale mask, and, if not, at the very least bust some ghosts. Ol' Matty finds adventure, torture, taverns, and barrels of fun with a pinch of gunpowder. And, of course, he might just find a Delicious Word Sandwich.

    Published in 1910 by Gaston Leroux, a renowned investigative journalist, travel writer and sensational crime solver, The Phantom of the Opera became a surprise smash, blending sweeping melodrama and comic-book tier iconography with hard-boiled pulp and gothic literature styles that like a Phantom would haunt popular culture for better or worse evermore. It is a methodical novel rich with characterisations and goofy hyperbole that is ultimately more obsessed with the criminally insane and obsession itself than in heroic Parisian romances, which in spite of modern adaptations is its greatest asset according to Ol’ Matty.

    Flying in his very own WW2 Bombing plane, Ol’ Matty rids himself of a pestering cricket by firing his pistol from inside the cockpit. You killed Jiminy and yourself in one shot. Not a hole in one, but certainly a hole in done. As in, you’re done. You get it. Needless to say, Ol’ Matty abandons the plane to crash wherever it may and finds himself falling into the lap of Paris, which is now under the dictating control of our hero’s arch-nemesis: Jim Pawsby, the Nazi, human handed, M16 wielding, unicycling demon bear. He’s a lot.

    Swinging into action, quite literally, at the gilded end of a swashbuckler’s rope (a goddamn chandelier), Ol’ Matty causes it to fall on a patron, killing them, and finds his bloody entrance has called a ripe distraction for the infamous Opera Ghost to steal away with a beloved opera singer, Christine Daaé.

    Feeling inexplicably partially responsible (“PARTIALLY”!?), Ol’ Matty pays homage to the almighty Bill Murray and prepares to go Opera Ghostbusting, although it is very, very possible that this devilish death’s headed spectre is really Jim Pawsby in disguise. After all, the plot is absurd enough to be perpetuated by a demon bear. Teaming up with the fine wine drinking Gaston Leroux, who really likes his name “Gaston”, a dork named Raoul, a mysterious figure known only as the Persian, and NOT Jiminy Cricket because he bloody shot the little guy, Ol’ Matty ventures to the lair of the Phantom to find the truth, justice and a slice of the redemption he doesn’t even know he needs.

    All the same, Ol' Matty has created a delightfully devilish and delicious word sandwich with all the anger, obsession and defiance of Leroux’s iconic antihero, deciphering the ramblings of the hard drinking, gambling and brawling Gaston to find just how this pulp mystery gumshoed through the centuries (bread), venturing on a katabasis into introspective and sometimes cruel story (meat), meeting a complicated, tormented yet brilliant vengeful sociopath (cheese), tearing away the mask to discover the deathly themes (sauce) and then whatever damn well pleases fits with those ingredients He ain’t a chef. I think it’s his way of making sure he adds salad. Well, this time he had no interest in making friends on this adventure, let alone best friends, so I suppose that’s growth, too. Don’t get stuck in catacombs again, Ol’ Matty. The last time had pacing issues.

    Love stories? Love hearing about the tales of old with Ol' Matty but want to know them yourself? Want to join the Book Club Sandwich but...

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    1 hr and 38 mins
  • The Catch-22 Sandwich
    Aug 20 2019

    Just when Ol’ Matty thinks he’s got it made, escaping the island, making a new best friend, headed to a new island of wine and people, he start to suspect a strange truth when he is drafted into World War II. Ol’ Matty and his new-new best friend Yo-Yo navigate the perils of the war and, worse, Joseph Heller’s ultimate paradoxical tragedy Catch-22. Thrilling dogfights, tomatoes and potato peelers bloodily fly with Ol’ Matty through the bullet drenched sky as Ol’ Matty comes to learn Joseph Heller’s ultimate truth and confirms his initial suspicion: People are trash, and that may just make life worth living. Damn you, you beautiful Catch-22.


    EPISODE NOTES:

    A contradiction from beginning to end, when Catch-22 was published in 1961, to a harsh contemporaneous reception and no awards, and then became a best-selling classic, renowned as a masterpiece of the 20th century. Yet Joseph Heller, former WW2 Bombardier and one of the greatest satirists of literature, still found a way to be bitter. Now, everyone’s other favourite contradiction, so he tells me, Ol’ Matty tries to eat the legendary catch. It’s not a fish.


    Ol’ Matty has escaped the tropical Tartarus that was his island, filled with malevolent tribes with lasers and laserdiscs, boars as paddlepop sticks and Jim Pawsby doing a wicked sick unicycle flip off the volcano into the unknown. Perhaps that’s the last we’ll see of him. Hopefully. How Ol’ Matty thinks that bear would make an interesting and enduring series nemesis is anybody’s guess, but I won’t bother. He is, as he tells me, a “Stupid genius”.


    Ol’ Matty’s salvation came in the form of Major ____ de Coverley, recruiting our inept intrepid hero for his skill (?) of turning literature into sandwiches. What Ol’ Matty thought was a free ride to the vineyard island Pianosa was a cunning ruse (not that cunning) and he was immediately drafted as a bombardier, meeting his newest best friend Yo-Yo. Together, they read through The Match by Colson Whitehead, a hard-hitting short story rife with tragic contradictions, graduate bombardier academy and fly head first into the dog fights of World War 2. Ol’ Matty was having too much fun.


    The dogfight in the skies, already a questionable expression, becomes all the more confusing with the addition of more assorted animals, enemies and mischief. I’m pretty sure I heard a nuke somewhere in the mix. He couldn’t just have a simple little World War, could he? No one questioned Ol’ Matty’s paws at the joystick, however, so small victories. But then the Colonel wanted them to finish their mission count and get the hell off his base, so Ol’ Matty made the great sacrifice for friendship and pulled some strings to keep them in the war. Friends will be friends. Yo-Yo was…displeased, and before long, so was the entire airbase. Help the war effort, Ol’ Matty, and leave. Please.


    All the same, Ol’ Matty has created a scrumptious enigma of a delicious word sandwich, an edible contradiction, partly truth and partly fiction, with all the brutality, perseverance, wit and cynicism of Joseph Heller’s story, along with all the beauty, humanity, tenderness and poetry of that very same story. I’m surprised he didn’t put a coin in there, or, better yet, a nickel. Do so at your own risk, Quixotes.


    Catch-22 is the satirical war novel by American author Joseph Heller about WW2 bombadier Captain John Yossarian, the perfect audience surrogate being a deeply flawed anti-hero. Most of the events in the book occur while the fictional 256th US Army Air Squadron is based on the island of Pianosa, an island not nearly big enough to hold an airbase. Catch-22’s non-chronological structure may at first seem random, but it is, in fact, highly structured based on free association. Okay, I’m calling it...

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    1 hr and 16 mins

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