Ricci Albenda is an American contemporary visual artist and sculptor. His sculptures harness traditional and idiosyncratic perspectival systems to represent bare architectural spaces that may be feasible, but are never real.

His deep exploration of language and the written word has led him to develop his own fascinating system in which the alphabetical and numerical system are paired with the color wheel.

Albenda has been exhibited extensively, both in the United States and abroad at venues including: The Guggenheim Museum, New York, The Rachofsky House, Dallas, Tel Aviv Museum of Art, Tel Aviv, Institute of Contemporary Art, Boston, Brooklyn Museum of Art, Brooklyn, Castello Di Rivoli, Turin, Museum of Modern Art, New York, MoMA PS1, Queens, Centre Georges Pompidou, Paris, and the New Museum, New York.

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https://linktr.ee/artandchaos

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Data scientist, on-chain glitch artist, NFT history writer, code punimalist.

Power consolidation=evil.

Built some stuff. Building more.

https://linktr.ee/chainleft

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A state of entanglement

Entanglement is a complex state one where no single entity can be said to be separate, or somehow unaffected, by any other present entangled, we cannot consider ourselves without others, act without interacting, speak without being heard. It is a multitude of you, and others, equally present and alive, together.

The rich substrate of the uncanny, eerie spaces between us and the non-human world cannot remain as an aesthetic space, our world cannot bear this self-imposed distance and denial of our inter-twined state of us and others.

Becoming entangled others studio is about moving further into an entanglement with the more-than-human world of us & others. A world where diversity and inter-connectedness are nurtured and engaged.

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Gearing up for 2023! March 31 - April 2nd | 5000 people | 3 days, 50+ talks, 250+ speakers, daily networking & NFT parties.

https://lnk.bio/miaminftweek

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Breanna Browning is a media artist and creative director
with studios in Los Angeles, California and her native rural Tennessee.

Breanna’s practice merges digital and physical matter through the misuse of technological tools and traditional methods of making. Her background in architecture and speculative fiction allows her to work simultaneously at multiple scales- from the bit to the body, from the landscape to the imaginary. Her varied practice includes image-based works, sculptures, immersive environments, writing, creative direction, films, and audiovisual performances.

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Rooted in legacy, born from technology, Arsnl Art is the exclusive digital platform for Artists Rights Society (ARS) with access to all of its 120k+ member artists from around the globe.

Founded in 1987, ARS is the preeminent copyright, licensing, and monitoring organization for visual artists in the United States. Today, ARS represents over 120,000 artists from around the globe (amongst them Frank Stella, Frida Kahlo, Pablo Picasso, Andy Warhol, Rene Magritte, Henri Matisse, Jenny Holzer, George Condo, Marina Abramovich, etc.) and issues over 100,000 licenses annually.

ARSNL.art

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Los Angeles-based artist John Houck (b. 1977) makes his images through a systematic re-photographing that produces a complex set of relationships between figure and ground and defies a clear understanding of the real and created. In this process, the artist takes a set of objects—often with personal meaning—and captures them multiple times. With each iteration, the objects are repositioned atop of their own images. The resultant work is a kind of photograph of itself, seen through a multitude of perspectives. The unfixed nature of Houck’s compositions is further complicated by the artist’s introduction of painterly mark-making, which he incorporates in both the objects being photographed and the photographs themselves. These actions transform the photograph into a screen through which the composition is gradually developed, examined, and remade.

https://marianneboeskygallery.com/artists/62-john-houck/biography/

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