This episode is a must-listen for anyone developing an original series and wondering how they'll get it off the ground. A combination of passion, perseverance, and a great partnership of the right people made the special sauce to get Stan & Gran into production. Based on an idea Jon Mason had a whopping 12 years ago, perseverance looms large here. His partnership with Natalie Llewellyn was pivotal as you'll hear in this conversation.
This is the third in a sporadic series looking at the anatomy of a project and rounds out the trio looking at an original series.
I hope you find it as informative as I did. Super interesting.

Enjoy!

Please like, rate, and comment on your favorite podcasting platform and share the episode on social media.

If you have any comments or suggestions please get in touch.

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Host & Producer: Michael Wakelam

Executive Producer: Eric M. Miller

Music by: Rich Dickerson

Audio Engineering: Mike Rocha

The Creators Society is a professional society for all disciplines of the animation industry. Our mission is to bring the animation community together to build strong relationships, provide education, and form a better understanding of the different roles we all play in creating animated stories. We celebrate and promote the love of animation and all the talented Creators who breathe life and imagination into their work.

Learn more about the Creators Society, and how to become a member at creatorssociety.net

Send us a text

The Wild Robot is here - a film I and a lot of the industry have been looking forward to getting their eyes on since we first saw the teaser.

Most of the major animated feature hits of late have been sequels and spin-offs, so when I got a glimpse of The Wild Robot from DreamWorks, I was very excited. First of all, I love robots of course. But there is something about the fish-out-of-water scenario of putting a robot into the wilderness that is immediately striking. Even the name of the film depicts so much and immediately you want answers to some questions that pop into your head.

And no, it's technically not an original because it's based on existing IP, a book - but it feels fresh and new - and Dreamworks seems to do that a lot with book source material. Not only does it feel fresh visually - and stunning - but I was really curious about the process of adapting the source material. So in this chat with Director Chris Sanders, we talk about that in detail, as well as many other things.

Just to let you know, there are some spoilers in this one - nothing devastating, but also because of the breakdown in the story and writing process, this one is best listened to after you've seen the movie. If you're a writer, I'd also recommend reading the book so you can better see the adaptation process.

Chris was super generous with his time, and we got to cover a lot of things, so I hope you enjoy it.

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Survive til 25 is a term thrown about a lot lately, but it got me thinking that it's August, and perhaps we need to think more about longer-term survival. So this is the first in a series of Survive Beyond '25 episodes looking at various parts of that equation, from business to innovation to mental health and creativity.

In this episode, Rick Mischel returns to chat about the general state of the industry and where we're headed. Rick recently bought a studio, so he has some optimism there! It's a fascinating conversation and I encourage you to engage in the ongoing conversation with us - we'd love to hear your thoughts and feedback.

Also, head back to episode 30 for a longer chat about Rick's career.

Enjoy!

Please like, rate, and comment on your favorite podcasting platform and share the episode on social media.

If you have any comments or suggestions please get in touch.

If you'd like to hear about new episodes in your inbox, please subscribe here.

Host & Producer: Michael Wakelam

Executive Producer: Eric M. Miller

Music by: Rich Dickerson

Audio Engineering: Mike Rocha

The Creators Society is a professional society for all disciplines of the animation industry. Our mission is to bring the animation community together to build strong relationships, provide education, and form a better understanding of the different roles we all play in creating animated stories. We celebrate and promote the love of animation and all the talented Creators who breathe life and imagination into their work.

Learn more about the Creators Society, and how to become a member at creatorssociety.net

Send us a text

How low can you go with a CG feature budget to create a very entertaining, high-quality-looking animated film? Listen in to this one to find out as I dive into the deal-making and production of The Amazing Maurice with Producer Andrew Baker.

Based on a Terry Pratchett book, The Amazing Maurice looks like it came out of a much bigger studio environment. It has a great voice cast, quality effects, and animation and is a great case study.

Andrew was very generous not only with his time, but the detail he delved into, and he has some great insight into the industry from his work as a lawyer before his role as a producer.

Hope you enjoy it!

And if you do, please like, rate, and comment on your favorite podcasting platform and share the episode on social media.

If you have any comments or suggestions please get in touch.

If you'd like to hear about new episodes in your inbox, please subscribe here.

Host & Producer: Michael Wakelam

Executive Producer: Eric M. Miller

Music by: Rich Dickerson

Audio Engineering: Mike Rocha

Edited by: Jonathan Wakelam

The Creators Society is a professional society for all disciplines of the animation industry. Our mission is to bring the animation community together to build strong relationships, provide education, and form a better understanding of the different roles we all play in creating animated stories. We celebrate and promote the love of animation and all the talented Creators who breathe life and imagination into their work.

Learn more about the Creators Society, and how to become a member at creatorssociety.net

Send us a text

'The old shool house', 'speeider' and 'the sun is warming up' were just some of the memorable lines quoted by my kids for years from the original Megamind movie originally released back in 2010 - a very different animation and media landscape than exists today. The movie was fresh and fairly successful, but gained a cult following in the years after its release. Fast forward to this year and original writers Alan Schoolcraft and Brent Simons, after selling the original screenplay as a spec, had the chance to revisit the iconic character with a direct to streaming feature and limited series with Peacock.
I got to chat with them along with Exec producer and showrunner Eric Fogel about the past and the present of all things Megamind, along with their backstories leading into these projects.

Hope you enjoy it!

And if you do, please like, rate, and comment on your favorite podcasting platform and share the episode on social media.

If you have any comments or suggestions please get in touch.

If you'd like to hear about new episodes in your inbox, please subscribe here.

Host & Producer: Michael Wakelam

Executive Producer: Eric M. Miller

Music by: Rich Dickerson

Audio Engineering: Mike Rocha

Edited by: Jonathan Wakelam

The Creators Society is a professional society for all disciplines of the animation industry. Our mission is to bring the animation community together to build strong relationships, provide education, and form a better understanding of the different roles we all play in creating animated stories. We celebrate and promote the love of animation and all the talented Creators who breathe life and imagination into their work.

Learn more about the Creators Society, and how to become a member at creatorssociety.net

Send us a text

Welcome to our second annual Kidscreen Conversations episode. I headed to San Diego, not Miami this year for the first west coast Kidscreen. As always, it was a great event, although the sun decided to skip it this year!

Our guests this year are Rob Doherty, a consultant with great insight into the industry and founder of Festivus, an animation org that parallels the Creators Society in some ways in the UK, Sueann Rochester, Managing Director of Wild Child Animation in Scotland, and Lucy Murphy, director of kids content at Sky in the UK.

There are some great thoughts and insight here so I know you'll get something from these conversations. Please excuse the on-location audio, a little rougher than usual, along with my voice.

Enjoy!

And if you do, please like, rate, and comment on your favorite podcasting platform and share the episode on social media.

If you have any comments or suggestions please get in touch.

If you'd like to hear about new episodes in your inbox, please subscribe here.

Host & Producer: Michael Wakelam

Executive Producer: Eric M. Miller

Music by: Rich Dickerson

Audio Engineering: Mike Rocha

Edited by: Jonathan Wakelam

The Creators Society is a professional society for all disciplines of the animation industry. Our mission is to bring the animation community together to build strong relationships, provide education, and form a better understanding of the different roles we all play in creating animated stories. We celebrate and promote the love of animation and all the talented Creators who breathe life and imagination into their work.

Learn more about the Creators Society, and how to become a member at creatorssociety.net

Send us a text

Welcome to the 4th season of the Creators Society Animation Podcast. We're thrilled to have made it this far! As you know, our business is changing all the time, rapidly. But that means that there is more to talk about than ever, so we're going to be talking to different people and discussing different topics of change and importance.

Today we chat with Sean Charmatz and Peter McCown from DreamWorks about their new film Orion and the Dark, which is out on Netflix.

This one is super interesting to me from a few perspectives. When I saw the trailer, I was intrigued - it was written by Charlie Kaufman, so you had me interested in seeing what he'd do with an animated film right there, but I was also intrigued by the creative execution, how that vision was executed on a streaming film budget, and its directed by Sean Charmatz, a long time story artist who spent a chunk of his career on Spongebob.

If you haven't had the chance to watch it yet, I encourage you to do so. One thing I've noticed after chatting with several people about Orion is that it sparks discussions. It's interesting to me because it deviates from a regular linear narrative, which it easily could have followed. However, this departure from the norm fosters dialogue and, I believe, adds depth to its storytelling.

Hope you enjoy it!

And if you do, please like, rate, and comment on your favorite podcasting platform and share the episode on social media.

If you have any comments or suggestions please get in touch.

If you'd like to hear about new episodes in your inbox, please subscribe here.

Host & Producer: Michael Wakelam

Executive Producer: Eric M. Miller

Music by: Rich Dickerson

Audio Engineering: Mike Rocha

Edited by: Jonathan Wakelam

The Creators Society is a professional society for all disciplines of the animation industry. Our mission is to bring the animation community together to build strong relationships, provide education, and form a better understanding of the different roles we all play in creating animated stories. We celebrate and promote the love of animation and all the talented Creators who breathe life and imagination into their work.

Learn more about the Creators Society, and how to become a member at creatorssociety.net

Send us a text

Today we have a treat as I chat with Mike Lasker of Sony ImageWorks. I don't know about you but I was blown away by Spider-Man: Across the Spider-Verse - and actually when it finished, I sat there with so many questions - mainly around the theme of 'how the hell did they do that?!'

I have long had a fascination with render styles that veered away from realism, playing with toon shaders and compositing techniques in my own work and trying to find new looks that were fresh or different. Of course, Sony's recent films have been an explosion of fresh and different, starting with Spider-Man: Into the Spider-Verse, then Mitchells vs the Machines and now exploding again with Across the Spider-Verse.

So when I had the opportunity to chat with someone at Sony about this film, Mike Lasker, the VFX supervisor seemed the perfect choice. But when I got into this chat, I actually realized what a pivotal role he's had in helping to change the way we look at animation styles. Mike worked on Into the Spider-Verse and also Mitchells and Across the Spider-Verse, bringing a wealth of experience from both live-action and animated films - something we often see with Sony ImageWorks folks that seems to broaden their range and perspectives and help them to adapt to challenging briefs.

Mike was a delight to chat with - and I only really scraped the surface of some of the amazing tools and development work they did on these films - we really could have chatted for hours.

Hope you enjoy it!

And if you do, please like, rate, and comment on your favorite podcasting platform and share the episode on social media.

If you have any comments or suggestions please get in touch.

If you'd like to hear about new episodes in your inbox, please subscribe here.

Host & Producer: Michael Wakelam

Executive Producer: Eric M. Miller

Music by: Rich Dickerson

Audio Engineering: Mike Rocha

Edited by: Jonathan Wakelam

The Creators Society is a professional society for all disciplines of the animation industry. Our mission is to bring the animation community together to build strong relationships, provide education, and form a better understanding of the different roles we all play in creating animated stories. We celebrate and promote the love of animation, and all the talented Creators who breathe life and imagination into their work.

Learn more about the Creators Society, and how to become a member at creatorssociety.net

Send us a text