You are listening to Books, Ballads, and B-roll the podcast with your hosts Bee and Alastair.

In this episode of Books, Ballads, and B-Roll the podcast we discuss the role of transportation in different media.

The Red Convertible is a short story from Love Medicine, by Louis Erdrich. It’s narrated by a boy named Lyman and it revolves around his relationship with his older brother, Henry. The two are very close and bond over their shared red convertible, but when Henry returns from the Vietnam War, he is traumatized and closed off, something Lyman really struggles to understand.

• Bee suggests that the changing setting at the beginning of the story creates a freeing and adventurous feeling, which contrasts with the limited and claustrophobic setting after Henry returns from war. This movement from a setting that is a literal blur to a setting that is extremely limited is one way in which transportation, particularly the red convertible, is central to the story.
• Bee and Alastair discuss how the red convertible may represent the brothers’ relationship with one another or perhaps Henry himself.
• Bee and Alastair examine the symbolism of the red convertible’s fate.

Howl’s Moving Castle is, like in our previous episode, a movie by Studio Ghibli. Are we going to apologize for our perhaps over-heavy focus on Miyasaki films? No, no we are not. We will shamelessly defend Studio Ghibli’s status as one of the best animation studios out there. Although, actually, this movie is based on a book of the same name by renowned fantasy author Diana Wynne Jones—which we strongly recommend as well. The movie changes some aspects or focuses on different things from the book, but I think this is what allows it to be equally as good even though it’s not an original story. The book is almost always better than the movie in my opinion, but this may be an exception.

But anyway, the protagonist of Howl’s Moving Castle is Sophie, the eldest of three sisters and heiress to a hat shop. She feels resigned to a life of quiet drudgery and loneliness there, but then the feared Witch of the Waste comes to her shop in disguise. Sophie unknowingly stands up to the witch when the latter disapproves of her shop, and the witch casts a spell that turns her into an old lady. Sophie must leave home in search of a cure for the spell.

She somewhat accidentally finds herself taking shelter in the castle of a notorious wizard named Howl, who supposedly eats young women’s hearts. (There are a lot of supposedly scary witches and wizards in this movie. Most of them turn out less scary than they originally seem though!)....