In this episode, Aylin and Caitlin speak with Dot Porter on book structures, manuscript studies, and transformative works in fandom. Dot Porter is Curator of Digital Research Services at the Schoenberg Institute for Manuscript Studies.

Music credits: Intro/outro music by TeknoAXE, "Chiptune Nobility" (CC BY 4.0), interludes by Aaron Kenny, "Yonder Hill and Dale" (CC0)

Transcript and more information at https://codingcodices.wordpress.com/2023/03/02/episode-14-book-structures-and-fan-cultures/.

Recorded 21 November 2022. Edited by Aylin Malcolm.

In this episode, Aylin, Hannah, James, and Seb discuss a recent article by Emily C. Francomano and Heather Bamford and the questions it raises about the accessibility of digital resources for medieval studies.

Music credits: Intro/outro music by TeknoAXE, "Chiptune Nobility" (CC by 4.0), interludes by Random Mind, "The Bard's Tale" (CC0)

Transcript and more information at https://codingcodices.wordpress.com/2023/01/13/episode-13-accessibility/.

Recorded 12 December 2022. Edited by Aylin Malcolm.

Dr. Margaret Smith from the IRIS Center (Southern Illinois University Edwardsville) speaks about her projects focused on bridging gaps between DH studies and the St. Louis community. Her digital medieval work, Submission Strategies, maps, the spatial and social networks captured in the Irish submissions to Richard II, using these and contemporary materials to create a rich and nuanced depiction of the alliances, hostilities, and spheres of influence that shaped the interconnected social networks of England and Ireland.

Music credits: Intro/outro music by TeknoAXE, "Chiptune Nobility" (CC by 4.0), interludes by Random Mind, "Market Day" (CC0)

Transcript and more information at https://codingcodices.wordpress.com/2022/05/06/episode-12-public-digital-humanities/.

Recorded 12 April 2022. Edited by James Harr.