The latest episode of the podcast which asks; so how do you set fire to a trophy?

Like a man in a cage, we find ourselves trapped in the mid-Eighties, imprisoned in a lurid enclosure of neon and rolled sleeves and appalling Number Ones, with Gary Davies – fresh from a birthday party in a garage in Cumbria and looking well Bisto – in the Mr McKay role. Oh, it’s a grim time to be young, Pop-Crazed Youngsters, when the only thing the youth can look forward to is a Giro, a chance to see the frontwoman of All Her Looks in concert and – if you’re really lucky – landing a plum YTS gig, like Paul Jordan has. He’s making his debut tonight, and we try to work out who he actually was.

Musicwise, hmm. Colonel Abrams pops up to deliver a telegram which reads HOUSE IS COMING STOP. Bruce Dickinson paints Paul D’Anno out of history. A pre-codpiece Cameo make their ‘first-ever television debut’ (thanks, Paul). Then the BBC runs an advert for a film made by someone from the Cradle Of Pop, followed by a double-whammy of Our Bands. The best duo in Pop history whose name begins with ‘Rene And’ pitch up and pretend to be Prince. The Top Ten gets fisted by Billy Idol. Red Box asks us if we’ve heard the good news about Jesus. A Success Coat containing Midge Ure receives its sympathy #1, and The Kids (and City Farm) have a sensible jig to Five Star.   

Simon Price and Rock Expert David Stubbs join Al Needham for a good snuffle around the crotch of 1985, pausing along the way to shill their new books, followed by frank discussions about sexual awakenings under a massive poster of Pete Burns, the lamentable tale of Stubbs The Sap, the Great Top Valley Pupil Insurrection of 1985, Fetish Sporrans, being stared at by Morrissey at Chippenham Goldiggers, Quincy Punks, a comprehensive breakdown of the Chicken Dance, and a disgraceful run-in midway through the episode. SWEARING.

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