Bismillah Khan Saheb and me

By: Dr. Suresh chandvankar
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  • Summary

  • This is a story of a gramophone record I found in Mumbai flea market called Chor Bazzar. I found it around 1992 for two rupees. Ten years later this record led me to meet legendary Shehnai player Ustad Bismillah Khan Saheb. The recording of the disc mentioned in this podcast could be listened to at - https://archive.org/search.php?query=zonophone+n+661
    Copyright 2022 Dr. Suresh chandvankar
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Episodes
  • Ganapati Atharvashirsha - Traditional & Popular

    Ganapati Atharvashirsha - Traditional & Popular
    Jan 19 2022
    Shri Ganapati Atharvashirsha was written by Atharva (or Ganak Rishi) Rishi. It is traditionally sung by Brahmins - Solo or in Chorus - like Chants - and produces a very sacred atmosphere through recitation and voice. On the other hand in popular style, many singers have sung it and recorded. Around 1970, Lata Mangeshkar & musician Datta Davjekar recited and recorded it in a studio in Mumbai but it was not released commercially. I received the cassette tape copy from Mr. Davjekar around 1990 and it contained this song. I want to talk about it and share its recording for posterity. Lyric and meaning is at - http://www.adwaitjoshi.com/atharvashirsha.php================================================================================================Om Namste GanpatayeTvameva Pratyaksham TatvamasiTvamev Kevalam KartasiTvamev Kevalam DhartasiTvamev Kevlam HartasiTvamev Sarvam Khalvidam BramhasiTvam Sakshadatmasi Nityam || 1 ||O Lord GaneshaI Pay my deep homage to you, the Lord of the Deva-GanaYou are the first facet of the Bramha-Tatva to ariseYou have alone created this Entire universeYou alone can maintain this universeYou are indeed the all conquering supreme LordIndeed you are the "ATMA" || 1 ||Rritam VachmiSatyam Vachmi || 2 ||Speak noble factSpeak complete Truth || 2 ||Ava tvam MamAva VaktaramAva ShrotaramAva DataramAva DhataramAvanuchanamv ShishyamAva PaschatatAva PurastatAvo UttaratatAva DakshinatatAva chordhvatatAva DharatatSarvatomam Pahi Pahi Samantat || 3 ||Protect meProtect the one who Describes youProtect all who hear about your characteristicsProtect me & the disciples who are under TutelageProtect me from the obstacles (which arise during Rituals)From the east (Similarly)Protect me from the West,From the NorthFrom the SouthProtect me from above & belowProtect me from all directions || 3 ||Tvam Vangmayastvam ChinmayaTvam Anandmayastvam BramhamayaTvam Sachitananda DvitiyosiTvam Pratyaksham BramhasiTvam Jnanmayo Vijnanamayo Asi || 4 ||You are the constituent of speechYou are Joy & Immortal ConsciousnessYou are Truth, Mind & Bliss... one without a secondYou are none other than divinityYou are Knowledge of Gross & Subtle types || 4 ||Sarvam Jagadidam Tatvo JayateSarvam Jagadidam Tvat Sti ShastatiSarvam Jagadidam Tvay LayamesyatiSarvam Jagadidam Tvayi PratyetiTvam Bhumi Rapo Nalo Nilo NabhaTvam Chatvarim Vak Padaini || 5 ||All the Universes manifest due to youAll the Universes are sustained by youAll the Universes get destroyed in youAll the Universes finally get merged in youYou alone are Earth. Water, Fire, Air & EitherYou are the 4 types of speech & the root source of sound || 5 ||Tvam Guna Traya AtitahaTvam Deha Treya AtitahaTvam Kala Treya AtitahaTvam Avastreya AtitahaTvam Muladhar Stiti Yosi NityamTvam Shakti Treya AtmakahaTvam Yogino Dhayayanti NityamTvam Bramhastvan, Vishnustvam, Rudrastvam, Indrastvam Agnistvam, Vayustvam, Suryastvam, Chndramastvam, Bramha Bhur Bhuva Svorom || 6 ||You are beyond the 3 'GUNAS', (Satva; Pure, Rajas: Activating & Tamas: Dull)You are beyond the 3 Bodies; (Gross, Subtle & Casual)You are beyond Past, Present & Future (3 State of Time)You are beyond 3 states of being; (Awake, dream & Deep Sleep)You always Reside in the "MULADHARA" ChakraYou are the trinity of Power; (Creative Maintaining & Destructive Powers)Sages always Meditate on youYou are the creator. Sustainer, Destroyer, The Lord of 3 worlds, Fire, Air, Sun, Moon, You are all inclusive & all Pervading || 6 ||Ganadim Purvamuccharaya Varnadim Tada NantaramAnusvara ParatarahArdhendu LasitamTaren HridamEtatva Manu SvarupamGakarah Purva RupamAkaro Madhyam RupamAnu Svaraschantya RupamBindu Ruta RupamNadah SandhanamSagm Hitaa SandihiSesha GaneshvidhyaGanal Rishi; Nichrud Gayatri chandahGanpatir devataOm 'GUNG' Ganpataye Namah || 7 ||After Describing the Characteristics & Cosmic Attributes Of Lord Ganesha, Atharvan Rishi Gives us the Sacred "GANESH VIDYA" i.e. the Mantra which Reveals the Sacred Form of Lord Ganesh. The Letter "GA" is to be enunciated, following by "NA" This one word Mantra is then Potentiated with the "PRANAVA" "OM". This is Sacred Mantra. (In order to make it Simpler, Atharvan Rishi Present the above easier FASHION, Remember that Knowledge was transmitted orally in those days.)"GA" is the first part, "Na" is the middle & end "UM" formed by the bindu is conjoined with the foregoing & all of them form the Sacred word. This Mantra if pronounced properly, has the power of revaling The Divine Lord Ganesh, The sage who receives the Mantra is Ganaka & the Metre is "NICHRAT GAYATRI" The Diety is Ganapati. Om 'GANG' Ganapati My salutation to you || 7 ||Saying Thus, The Devotees should bow to the Lord.Ek Dantaya Vid Mahe vakra Tundaya DhimahiTanno danti Prachodayat || 8 ||Mediate on the single Tusked Lord, with bent TrunkMay He Grant Knowledge & Inspire me || 8 ||Ek Dantam Chatur Hastam Pashmam Kusha DharinamRadamch Vardam Hastair Bhi Bhranum Mushaka DhvajamRaktam Lambodaram Shoorpakarnkam Rakta ...
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    15 mins
  • Ganapati Atharvashirsha (अथर्वशीर्ष आणि अथर्वशीर्ष पठण)

    Ganapati Atharvashirsha (अथर्वशीर्ष आणि अथर्वशीर्ष पठण)
    Jan 18 2022
    This podcast is about one unusual recording in the voice of Lata Mangeshkar & Datta Davjekar, recorded around 1970 but not released commercially. It is Ganapati Atharvashirsha (अथर्वशीर्ष). It gives a peace of mind to the listeners.--------------------------------------------------------------------------------------------------------------------------------------------------------------------ॐ नमस्ते गणपतये। त्वमेव प्रत्यक्षं तत्वमसि। त्वमेव केवलं कर्तासि। त्वमेव केवलं धर्तासि। त्वमेव केवलं हर्तासि।त्वमेव सर्वं खल्विदं ब्रह्मासि। त्वं साक्षादात्माऽसि नित्यं।।१।।ऋतं वच्मि। सत्यं वच्मि ।।२।।अव त्वं माम्। अव वक्तारंम्। अव श्रोतारम्। अव दातारम्।अवधातारम्। अवानूचानमव शिष्यम्। अव पश्चातात्। अव पुरस्तात्।अवोत्तरात्तात्। अव दक्षिणात्तात्। अवचोर्ध्वात्तात्। अवाधरात्तात्।सर्वतो मां पाहि-पाहि समंतात् ।।३।।त्वं वाङ्मायस्त्वं चिन्मय:। त्वमानंदमसयस्त्वं ब्रह्ममय:।त्वं सच्चिदानंदाद्वितीयोसि। त्वं प्रत्यक्षं ब्रह्मासि।त्वं ज्ञानमयो विज्ञानमयोसि ।।४।।सर्वं जगदिदं त्वत्तो जयाते। सर्वं जगदिदं त्वत्तस्तिष्ठति। सर्वं जगदिदं त्वयि लयमेष्यति। सर्वं जगदिदं त्वयि प्रत्येति। त्वं भूमिरापोन लोनिलो नभ:। त्वं चत्वारि वाक्पदानि ।।५।।त्वं गुणत्रयातीत:। त्वं अवस्थात्रयातीत:। त्वं देहत्रयातीत: । त्वं कालत्रयातीत: । त्वं मूलाधार स्थितोसि नित्यं। त्वं शक्तित्रयात्मक: । त्वां योगिनो ध्यायंति नित्यम्। त्वं ब्रह्मा त्वं विष्णुस्त्वं रूद्रस्त्वमिद्रस्त्वमग्निस्त्वं वायुस्त्वं सूर्यस्त्वं चंद्रमास्त्वंब्रह्मभूर्भुव:स्वरोम् ।।६।।गणार्दि पूर्वमुच्चार्य वर्णादिं तदनंतरम्। अनुस्वार: परतर:। अर्धेन्दुलसितं। तारेण ऋद्धं। एतत्तव मनुस्वरूपम्। गकार: पूर्वरूपम्। अकारो मध्यमरूपम्। अनुस्वारश्चान्त्यरूप्म। बिन्दुरूत्तररूपम्। नाद: संधानम्। संहितासंधि:। सैषा गणेश विद्या। गणकऋषि: निचृद्गायत्री च्छंद:। गणपतिर्देवता। ॐ गं गणपतये नम:।।७।।एकदंताय विद्महे। वक्रतुण्डाय धीमहि। तन्नोदंती: प्रचोदयात।।८।।एकदंतं चतुर्हस्तं पाशमंकुशधारिणम्। रदं च वरदं हस्तैर्विभ्राणं मूषकध्वजम्। रक्तं लंबोदरं शूर्पकर्णकं रक्तवाससम्। रक्तगंधानु लिप्तांगं रक्तपुष्पै: सुपुजितम्। भक्तानुकंपिनं देवं जगत्कारणमच्युतम्। आविर्भूतं च सृष्टयादौ प्रकृ‍ते: पुरुषात्परम्।एवं ध्यायति यो नित्यं स योगी योगिनां वर: ।।९।...
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    15 mins
  • Raag Basant - Karim Khan, Bhimsen Joshi, Manna Dey & Basant Bahar

    Raag Basant - Karim Khan, Bhimsen Joshi, Manna Dey & Basant Bahar
    Jan 17 2022

    Study of Raag Basant recorded in 1905 & 1950 by Abdul Karim Khan in traditional bandish & a duet by Bhimsen Joshi & Manna Dey for Hindi Film song - Basant Bahar. Words and the meaning of the original bandish are -

    Geli geli endi endi

    Dore sab naar, garwa laage rang barase,


    Rutu basant maan aayi, Joban maat bes toriSola u singaar kare aba rain

    Peran peran paijan

    Gund gund gund laao, abir gulal liye barjori


    The poet describes the spring season and the fervour that goes with it. The women of the village are welcoming the season by adorning themselves with fresh flowers, jewellery and swinging on Jhulaas (traditional Indian swing) . They tell each other to dress up in their finery and prepare some Abir Gulal (coloured mixture) used for playing Holi with their friends.
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    10 mins

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