In 2025, the iconic NOW series moves into the world of musical theatre with a brand new show ‘NOW, That’s What I Call A Musical’ delivering a storyline that ties friendship and incredible 80s pop music together perfectly. A dynamic cast, a sure fire story from Pippa Evans filled with a rollercoaster of emotions and laughter is coupled by choreography from Craig Revel Horwood for a guaranteed hit night out!

And if that wasn’t enough the touring show includes guest appearances from an array of pop icons - Sinitta, Carol Decker, Toyah Wilcox and Sonia!

And for this special episode of Back to Now, Sonia exclusively joins us to chat about the show and how this pop nostalgia spectacular is exactly what we need right now.

As well as providing details (no spoilers!) about the show, Sonia takes us back to the year it’s set - 1989 - and shares her own memories of becoming one of the decades most successful female chart stars. We go behind the scenes of PWL, how Sonia really convinced Pete Waterman to sign her up to the Hit Factory, who she to borrow clothes from for her debut video and what it meant to move from being a pop fan into the pages of Smash Hits in a very short period indeed!

We also can’t spend some time with Sonia and not talk Eurovision - so we do, and it’s a blast of Europop memories.

And, exclusively - find out which NOW album played constantly in Sonia (and her boyfriends) car!

Grab your popcorn, take your seat and tune into big 1989 pop memories and much more with this special episode of Back to NOW!

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The United Kingdom in Summer 1998 was an interesting place indeed.

In June, the DVD was released for the first time and presumably the first person to ignore random extras, interviews and photo galleries was welcomed with open arms. The Crime and Disorder Act introduces Anti-Social Behaviour Orders (ASBOS) was introduced into our vocabulary and the tabloids jumped for joy at the possibility of a plethora of new, stupid headlines about 3am parties, alcopop-fuelled teenagers and wheelie bins.

Significantly, it was also almost a year since an historic, seismic shift in the country’s cultural and political landscape.

The release of Be Here Now.

(Checks notes - and Labour’s political landslide victory.)

And since the Gallagher Brothers self-obsessed, grandiose and frankly rubbish collection of bloat had detonated Britpop, the music scene in UK had undergone a transformation poptastic proportions.

And, let’s be honest, not a moment too soon.

As always, the ever trustworthy team at NOW, That’s What I call Music HQ were on hand to deliver a sterling snapshot of the summer’s latest and greatest chart toppers. And the series reached another monumental milestone - volume 40. Pop Life was beginning indeed!

Step forward, er, Steps! Fifteen year old Billie (no Piper yet folks) who was setting the charts alight with her debut, Aqua who were proving that they were no doll-sized one hit wonders by heading out into the jungle and the almost-a-four piece Spice girls (Get well soon Geri!) were delivering (quite possibly) their finest moment yet. Viva, girls!

Add dance music, DANCE MUSIC - well where to begin? Mousse T (with a little help from Chris Tarrant!), Fatboy Slim, David Morales, Lucid and The Tamperer were delivering slices of high powered BPM perfection.

WHAT did the charts look like with a chimney on it?

But, BUT, our favourite variously compiled brand were not having it all their way in 1998. Those pesky folks over at HITS had more than something to say about that. And plenty of huge (Fresh? New?) hits were now missing from NOW.

Which side were you on?

Let the compilation battles commence - AGAIN!

Joining myself and Pop Music Activism supremo and saviour of pop streaming Rob Johnson as we revisit summer 1998 and NOW 40!

As well as all of the above, find out why the CD single was still the BOSS, explore the seventies disco revival impact on the charts, how Iceland was trending setting, rediscover the incredible adventure of remixing supermos The Trouser Enthusiasts and join us as we begin the search for the Irish Billie, the calypso queen of Aldi (possibly), Kerri-Ann.

It is a pop journey that you really don’t want to miss. Let’s Go!

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Welcome, everyone, to the Back to Now review for 2024!

Following in the well-loved festive traditions such as fingering your way through the double edition Radio Times, fumbling your way to the back of the cupboard for the remnants of last year’s Baileys or just thumbing through some nuts next to an open fire, we bring you a finale to another variously compiled year in pop in the company of some wonderful, wintry guests.

Author of the year and close friend of Hazell Dean - Ian Wade!

Compiler of the year and close friend of Bryan Ferry - Mark Wood!

Shake off those snowy boots, grab an eggnog to go and join three ‘wise’ men as we forensically (well, not really, actually) examine twelve months of pop extravaganza including Sabrina, Charli, Billie and probably a few others that may have got a look-in at the charts of 2024. We also pull a cracker to reveal our albums of the year including such delights as the Pet Shop Boys and The Cure.

And of course, it wouldn’t be the perennial end of year episode without shining a Christmas star spotlight on another year of stellar NOW releases. What were our highlights, surprises, favourites of the 2024’s FORTY compilations? We celebrate all of our selections from the variously compiled chocolate box - Yearbooks, Vaults, Millenniums, 12”s and much more. We ask the question on everyone’s (possibly) lips - what can 2025 hold for the world’s biggest and best iconic compilation series?

Will we see more 70s Yearbooks?

How will the iconic numbered series evolve?

Can Das Psych-oh Rangers really make it onto a Vault album?

And of all of this wasn’t enough of a soundtrack to your present wrapping, we also celebrate Duran Duran’s ongoing brilliance and appearance on NOW, revel in a range of other (there are OTHER?) compilations of 2024 and dip back into 1984 (yes, AGAIN!) as we examine Band Aid Forty and the legacy of Bob and Midge (and Trevor’s!) era-defining clanging chimes of Christmas.

Forget the cranberry sauce and turn down all of those other invites - the end (of another pop year) is here! And you are warmly welcomed.

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