The city of Paris has captured the imagination of many writers over the years, so it was perhaps inevitable that we would end up journeying back there for another of our adaptations. This one is The Adventure of Prince Florizel and a Detective by Robert Louis Stevenson, originally published in London Magazine in October 1878.

The story is part of The Rajah's Diamond cycle and is about a mysterious diamond which was stolen from an Indian ruler and is thought to bring misfortune to people who come in contact with it. The eponymous Prince Florizel of Bohemia was given the diamond in another story in the cycle, but its previous owner wants it back and sends a detective to challenge him about it. Join us for the episode to found out how he reacts. The incarnation of London Magazine which the story appeared in had a small circulation, but it reached a wider audience in 1882 when it was republished in Stevenson's New Arabian Nights collection, along with the other three stories in The Rajah's Diamond cycle, a second cycle called The Suicide Club (which also features Prince Florizel), and four standalone stories. Stevenson named his book after the folktale collection The Arabian Nights (aka The One Thousand and One Nights), which he was greatly enamoured of, as there are common themes and it has a similar nested structure.

The Adventure of Prince Florizel and a Detective was written relatively early in Stevenson's career, but it was an important milestone. He is mostly remembered now for his novel Treasure Island and his novella The Strange Case of Dr Jekyll and Mr Hyde, but works like this one show that it's well worth seeking out the rest of his canon. Our version of the story is narrated by C.J. Carter-Stephenson as usual with music by Kevin MacLeod (music licenced under Creative Commons: by attribution 3.0 licence). Stay tuned for more classic literature.

It's time to fire up the Back of the Bookshelf time machine for another trip back into the literary past. Our story this time is an Edgar Wallace mystery called Circumstantial Evidence, which was originally published in 1929 along with seven of his other works in a collection called Circumstantial Evidence and Other Stories.

The story is set in England in the 1920s and is about a young woman who is accused of murder when her wealthy uncle dies in mysterious circumstances. The evidence against her is all circumstantial, but as the lawyer characters are quick to point out, that kind of evidence is often the hardest to refute. Is she guilty or innocent and what will happen when her case goes to trial? Listen to the episode to find out. Edgar Wallace's writing has very much fallen out of fashion now, but stories like this one are a reminder of why he was so popular in his day. It's a gripping tale which showcases his narrative skill and knowledge of the law.

Wallace was born in 1875, the product of a liaison between two actors at an after-show party. He left school at the age of twelve, but went on to became a prolific writer, whose output included 170 novels, 18 plays and 957 short stories. He died suddenly in 1932 while working on the screenplay for the original King Kong movie. More than 160 films have been made of his work, so this Back of the Bookshelf offering is part of a long tradition. It's narrated by C.J. Carter-Stephenson with music by Kevin MacLeod as usual (music licenced under Creative Commons: by attribution 3.0 licence). We hope you enjoy it.  

Over the years, we at Back of the Bookshelf have carried our listeners to countries far and wide, to dizzying heights in the sky and deep underground, but we have never taken them beyond the bounds of the planet… until now. That’s right, in this seventh episode of our second season, we’ll be journeying to the stars courtesy of illustrious science fiction writer Philip K. Dick and his story, Beyond Lies the Wub.

It’s an engaging tale about a spaceship crew who purchase a strange creature on a trading trip to Mars. The creature looks like a pig, but looks can be deceiving. On the surface, the story seems simple, but there are hidden depths to it and the twist at the end is second to none. It was Dick’s first published story, but foreshadows his work to come with its biting satirical wit and exploration of important ethical issues. Not surprisingly, it has been reprinted many times since it made its first appearance in Volume 5, Issue 7 of Planet Stories in July 1952. Dick might arguably be more famous for the many movie adaptations of his work (e.g. Blade Runner and Total Recall) than the work itself, but as this story shows, he was a master of his craft.

As always, this Back of the Bookshelf performance features an immersive soundscape to help bring the story to life. It is narrated by C.J. Carter-Stephenson with music by Kevin MacLeod. With that all said, strap yourselves in and hold on to your stomachs as we fire up our engines and blast off into the great beyond for another thrilling adventure.