When I'm with You cover art

When I'm with You

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When I'm with You

By: Monica McCallan
Narrated by: Lori Prince
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About this listen

Kennedy Ryan and Brooke Nicholas have circled around one another for years without getting to know one another, but getting stuck together during a post-college trip is going to change that. A growing friendship, an abandoned puppy, and no one to act as a buffer between them will upend a lot of ideas they had about one another.

Kennedy finally realizes she may have only scratched the surface where Brooke is concerned, and Brooke is terrified that she's falling in love with her best friend.

Contains mature themes.

©2021 Monica McCallan (P)2022 Tantor
Contemporary Contemporary Romance Romance Dogs
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What listeners say about When I'm with You

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  • Overall
    4 out of 5 stars
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when i am with u

nothing hurts and everything is brighter. the story was great a slow burner between two major characters. one who knows what rhey want the other trying to understand the situation. it was great to listen to Lori Prince narrating as she brought the characters to life.

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars

So lovely

This was such a tender story of how 2 people gradually come to know each other and so fall in love.

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars

beautiful

frenemies to lovers, heartwarming tale of two people who didn't know why one disliked the other, snowed in together they vow to try getting along for the sake of the two friends they'd shared since college, brought closer by an abandoned puppy they spend more time together.
lovingly narrated I cried at the inflection Lori Prince brings to tearful joy
definitely one to cheer up lonely winter evenings again and again

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  • Overall
    5 out of 5 stars
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when I am with you ❤

what a brilliant story line with a couple stuck in a snow storm, really brilliant characters all the way through and really good narration and a very happy ending as well great 👍👍

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  • Overall
    5 out of 5 stars
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outstanding

This is gaar becoming my favourite author of lesbian romance and Lori is quickly becoming my favourite female voice over narrator. This book was breathtaking and held suspense so long I thought I was going to faint. so well written and well read I'm speechless

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars
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    4 out of 5 stars

Push and pull

Push - The plot, characters, conflict, performance - all good, if not better. I finished this in one day 🤭.

Pull - Drawback for me is that I cannot empathize how one of the conflicts was minimized and took a backseat immediately. I guess, if it’s me, it would take time for me to move on from that situation - what is that conflict? Do buy and read 😂😅

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars

So beautiful but painfully slow

I loved this so much but just wish it could have been a little more heated in the middle….

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  • Overall
    5 out of 5 stars
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Absolutely loved this

Monica McCallan and Lori Prince at their very best in this light hearted yet deep f/f romance that I will save in my favourites to listen again.

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  • Overall
    3 out of 5 stars
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    3 out of 5 stars

Yeah, but.....

I really wanted to like this more, but I couldn’t.
Highlights; I did find I became more engrossed when the tension grew and they fully realised they were attracted but fighting it. The middle of the story is good and there is some solid story there.
And it's a good story for fans of Lori Prince's voice work.
However....
From the start things didn't flow naturally. We are told they don't get on, but never really see anything. Early conversations and interactions have them rolling their eyes at each other, but internally finding the other attractive, even though Kennedy is straight at the start. Even the characters don't know why they don't get on. Then suddenly they are best buds having coffee, Brooke going to Kennedy's for Christmas only a few days after apparently hating each other. There is a kiss that really leads nowhere and a third act quick conflict that didn't change or do anything except drag out the end. Really we could have halved a scene at a gig night and landed them in bed and nothing would have changed.
It was OK. Like I say, the middle is good, but I found myself just letting the start and finish play just to get them over with.

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