Brilliant!

This is a work of such clear and fluent language (excellent translation!) and the narrative is concise and carefully composed. It provokes thought on so many themes (the idea of a united Europe, freedom of movement, the intellectual life, what it is to be a European) that still resonate today. His reflections on how he writes, on his friendships with European intellectuals, artists, musicians and thinkers of the day, stimulate the thinking and interest in the reader. And, his frank observations of his own and other’s reactions to the advent of the First World War, the experience of hyper-inflation and the later rise of Fascism, are so open and human, that they enhance our understanding of what it felt like to live in those times and bring colour and pathos to the history of the periods.

Finally, I must praise the narrator for a marvellous reading of this work. His tone matches the quality of the writing perfectly, and, for once, nothing is mispronounced!!!

Bravo!!!!

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The Brink of Destruction

This memoir of Stefan Zweig (1881-1942) is another of Ukemi’s treasures. Zweig was the most important writer of his day writing in German, but his work was banned by the Nazis. Translated into English, his memoir The World of Yesterday was rescued by the Pushkin Press only within the last ten years. The translation by Anthea Bell (who concludes this beautifully sympathetic, exactly right narration by David Horovitch) is what a first class translation should be: it’s as though this is just how Zweig wrote it.

Zweig’s world of yesterday is the ‘golden age of security’ of the Austro Hungarian Empire in which he grew up, a wonderful time for Viennese high culture of music, opera, art and conversation provided mainly by Jewish intellectuals, a world Zweig creates in all it richness. As a child he met Brahms, looked on actors as supernatural beings and was fired with a passion for ‘things of the mind.’

His musings over the changing mores as time passed have a universal appeal. Growing up, women of his class were chastely swathed from head to foot, always chaperoned, and bridegrooms would have no idea of what was underneath – a purity which existed alongside thriving and rampant prostitution. Later women cut their hair, discarded their corsets, played tennis and, even if some did have stones thrown at them for doing so, rode bicycles. The insights he gives into his own writing explain the slimness of his novels: he wanted to intensify the ‘inner architecture’ of his writing, to know more than he showed, to hone and omit. A good lesson for writers to absorb.

The memoir is filled with vignettes of great names, from Gorky, Yeats and Strauss to Rilke, Ravel and Valéry– and a host of other Europeans I’d never heard of and are now, as Zweig says, mainly forgotten. His portrait of Freud is a real person, suffering but determined as he neared death; with James Joyce he discusses German and Italian translations of words from Ulysses. His treasured collections included the quill pen and candlestick of his greatest icon, Goethe. He travelled widely, from Paris to America and even in India, observing and analysing with telling detail, as when he describes the peasants doffing their caps before artworks in the Hermitage in Leningrad.

But ‘great evil swept over humanity’ with the onset of WW1, after which he returned to a Salzburg in his ‘poor plundered unhappy country’ where everything was either ‘broken or stolen’ and hyperinflation raged: squirrel for Sunday lunch, frozen potatoes, trousers made of old sacks, treasured possessions sold in markets. But he noted too how real value was found in friendship, art and music. His final heartbreak was the start of the rise of Nazi Germany with its systematic destruction of all that he held dear in humanity and the loss of his hopes for a unified Europe. These were horrors enough, but he didn’t live to see the worst.

The history in this memoir is all too familiar, but Zweig’s telling makes it fresh and new. The World of Yesterday is a unique listening experience.

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an extraordinary insight into a man and his time

a wonderfull story, beautiful written and ofgreatest actuality at present times. An insight into working ofcreative mind and a fascinating epoch.

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Really enjoyable.

I knew nothing about Zweig when I started listening to it (didn't even know he was a writer). the book was really enjoyable and felt really relevant at times as we stand an the edge of WWIII.

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A mournful memoir of what we have lost

This is the best book that I have had on Audible, with excellent narration and sympathetic translation from the original German. Both get across the nuances and meaning of Zweig.

I am not entirely sure how I came across this work, as despite his interwar popularity Zweig is little known in Britain, and that is certainly our loss. The author describes 40 years of history, commencing in Imperial Vienna, and winding up as a stateless refugee. His comfortable background as an assimilated and seemingly fairly secular Jew is perhaps rather atypical and certainly bourgeois. Nonetheless he is an astute commentator on events, particularly in highbrow culture and literature, with personal contact with many leading lights of European civilisation.

He is not interested in politics, yet politics become interested in him, though even when the Nazis banned him they could not find a critical word about Germany in his works. He tells an interesting anecdote about correspondence with Mussolini, who was it seems a fan willing to pull strings at his request.

The first war catches him by surprise, but he sees early on the drift to the second world war with great foreboding as a result of that shattered innocence. His tales of the gradual decline of internationalism and tolerance are a timeless tale that is equally relevant to the world of today. This though is not a political of historical treatise on the origins of war so much as an individuals observations. There is very little on his private life, and though he describes the hardships of the collapse of Imperial Austria well, Spanish Flu is never mentioned either. I wonder if Covid will be forgotten too.

It is sad to hear his descriptions of stateless Jewish refugees in the final chapter, but little did he know when writing in 1941 that these were the lucky ones. We lost so much as a continent with the Shoah, a rich European Jewish culture, and this book is a fine memorial for that loss. I wish Zweig had lived long enough to see Israel founded, but I think as a European he would have been most glad to see the European Union uniting the fractious nations of Europe, and forming a nascent European democracy.

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The World of Yesterday, a warning for today

The World of Yesterday feels eerily prophetic and relevant to our own times. It offers a dire warning of where the polarisation of politics, populist political leaders, and rampant nationalism can lead. Zweig contrasts the civilising values of the pan European movement which held sway among many Continental artist, writers and thinkers before the first world war with the eruption of irrationality in politics and culture in the 1930s to great effect. A wonderful, profound book, expertly narrated.

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a Remembrance of History

a beautifully written piece that conjures up a world lost to us by the violence of war, and what it means to be at the mercy and centre of such horrors, and yet a beautiful book. history as it should be taught.

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A must for those who feel history forgotten is doomed to repetition. Lesson held within these pages.

Anyone interested in a first person account of the extraordinary times experienced in Europe from the turn of the century to the middle of WW2 should listen to Zweig’s memoire.

The accounting of the rise of extremism and the narrowing of personal freedoms as Europe trundled towards a second catastrophic war are particularly pertinent in the current social climate.

Brilliant. Tragic not to have been more aware of Zweig until now.

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An exceptional memoir

This is certainly a remarkable book that has been overlooked or lost for very many years. It is now very possibly my favourite, and I return to it once a year. A beautiful and nostalgic view of a world that was lost, and a time of order, style, grace and culture. A world that was shattered. I have now read every translated book by Stefan Zweig, and admired his language and his form. This reading by David Horovitch is first rate.

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Enlightening perspective

I had never heard of Stefan Zweig but on investigation found he certainly did not beat his own drum as much as he might have done. It did seem though that in spite of that, he was so aware of his place in the world before the 2nd world war that the outcome for him was sadly almost understandable. His perceptions on countries as an outsider culturally were often fascinating and perceptive.

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