Tantra
Theory and Practice with Professor Gavin Flood
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Narrated by:
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Gavin Flood
About this listen
Over five lectures, Gavin Flood, professor of Hindu Studies and Comparative Religion in the Theology and Religion Faculty at Campion Hall at Oxford University, gives an overview of the history, theory, and practice of Tantra. He explores aspects from the Śaiva Siddhānta tradition to the Non-Saiddhāntika, to Buddhist Tantra. He gives an overview of the many developments in thought, cosmologies, and the varied and fascinating practices that have emerged over the centuries.
- Session 1: Tantra in history, an overview
- Session 2: The Śaiva Siddhānta Tradition, rituals, cosmology, initiation and liberation
- Session 3: The Non-Saiddhāntika traditions including the path of purity and the path of power
- Session 4: Tantric Śaiva views of the self, the porous self & the gnostic self, Tantric meditation
- Session 5: Buddhist Tantra - Vajrayāna and the influence of Śaivism
Gavin Flood is a Professor of Hindu Studies and Comparative Religion in the Theology and Religion Faculty and academic director of the Oxford Centre for Hindu Studies. Gavin read Religious Studies and Social Anthropology at Lancaster University and taught at the universities of Wales (Lampeter) and Stirling before coming to Oxford. He was elected to membership of the British Academy in 2014. His research interests are in medieval Hindu texts (especially from the traditions of Shiva), comparative religion, and phenomenology. Two recent books are The Importance of Religion: Meaning and Action in Our Strange World (Oxford: Blackwell, 2013) and The Truth Within: A History of Inwardness in Christianity, Hinduism and Buddhism (Oxford University Press, 2014).
©2018 Wise Studies (P)2018 Wise StudiesWhat listeners say about Tantra
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- Tout en chantant
- 19-12-20
Absolutely dreadful
These lectures are supposed to be an introduction to Tantra but they are definitely not. Gavin Flood is a very clever scholar and although he starts off on a good foot giving you some basics very soon he falls into what scholars love most which is the breaking down of various minor details into their little textual components nome of which will mean anything whatsoever to you unless you have a very solid understanding of the broad cultural context in which those things arose and how they fit in and what they mean, which he totally fails to convey.
Also he speaks so very slowly that unless you put the speed up to 1.5 you’ll be falling asleep in between words.
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