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Positively 4th Street

By: David Hajdu
Narrated by: Bernadette Dunne
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Summary

Positively 4th Street is a mesmerizing account of how four young people (Bob Dylan, Joan Baez, Mimi Baez Farina, and Richard Farina) gave rise to a modern-day bohemia and created the enduring sound and style of the 1960s.

The story of the transformation of folk music from antiquarian pursuit to era-defining art form has never fully been told. Hajdu, whose biography of Billy Strayhorn set a new standard for books about popular music, tells it as the story of a colorful foursome who were drawn together in Greenwich Village in the early 1960s and inspired a generation to gather around them.

Even before they became lovers in 1963, Bob Dylan and Joan Baez were seen as the reigning king and queen of folk music; but their songs and their public images grew out of their association with Joan's younger sister, Mimi, beautiful, haunted, a musician in her own right, and Richard Farina, the roguish, charming novelist Mimi married when she was 17. In Hajdu's candid, often intimate account (based on several hundred new interviews), their rise from scruffy coffeehouse folksingers to pop stars comes about through their complex personal relationships, as the young Dylan courts the famous Joan to further his career, Farina woos Mimi while looking longingly on her older sister, and Farina's friend Thomas Pynchon keeps an eye on their amours from afar.

Positively 4th Street is that rare book with a new story to tell about the 1960s: the story of how some of the greatest American popular music arose out of the lives of four gifted and charismatic figures.

©2001 David Hajdu (P)2002 Blackstone Audiobooks
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Critic reviews

"A hauntingly evocative blend of biography, musicology, and pop cultural history." ( The New York Times)
"One of the finest pop music bios." ( Booklist)

What listeners say about Positively 4th Street

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Not so balanced

This was a curate’s egg of a book for me. It’s not about the music really, but about the relationships between four people, none of whom come out of it that well. Or is it a book about the Baez sisters, with the other two bolted on? Because we spent a lot of time with the sisters and then Dylan and Farina are added on. This was not what the blurb suggested to me. Nevertheless, scattered through the book are plenty of nuggets and insights which kept me interested until the end (which was quite sudden). I’ll not forget Dylan’s view of others such as Macoll in a hurry, or forget that these were very young people forging new paths, and this brought many a challenge. Glad I read it, and would recommend it. Stuart

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Disappointing

This book is strangely dull. I expected to find it interesting and nostalgic as I lived through those times but I didn’t find it that way. I think that the choice that the reader should dramatise the quotations with imitations of the voices of everyone quoted is particularly unfortunate and aggravating.

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interesting, but harsh take on the scene

This book doesn't pull any punches, and in so doing, does well to peel of the veneer and folklore surrounding these characters, and show them as wholly fallible human beings. thoroughly informative, thoroughly entertaining.

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Bob Dylan? Not Really!

This was dull and hard going. The title implies that Bob Dylan is the main figure and as a big music fan that appealed. In fact the story starts with Joan Baez, her sister Mimi and her family and they remain central, with a harshly painted Dylan really only featured to the extent his life crosses paths with the Baezs. I had not previously heard of Richard Farina but despite being a most unappealingly and narcissistic character, he is given a much higher standing in the tale than the admittedly flawed legend that is Dylan. I was left feeling that the Dylan references had been used to suck me into what turned out to be a longwinded treatise about rather peripheral figures in the US music scene of the early 60’s

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