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Murder Must Advertise

Lord Peter Wimsey, Book 10

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Murder Must Advertise

By: Dorothy L. Sayers
Narrated by: Jane McDowell
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About this listen

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. In his tenth appearance, he takes a job as an advertising copywriter to expose a ruthless killer.

Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions....

Disguised as his disreputable cousin, Death Bredon, Lord Peter Wimsey takes a job - one that soon draws him into a vicious network of blackmailers and drug pedlars.

Five people will die before Wimsey unravels a sinister and deadly plot....

©1933 The Trustees of Anthony Fleming (deceased) (P)2015 Hodder & Stoughton
Short Stories Suspense Traditional Detectives
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Critic reviews

"She combined literary prose with powerful suspense, and it takes a rare talent to achieve that. A truly great storyteller." (Minette Walters)

What listeners say about Murder Must Advertise

Average customer ratings
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  • Overall
    4 out of 5 stars
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    4 out of 5 stars
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    4 out of 5 stars

Enjoyable

Would you recommend this audiobook to a friend? If so, why?

Yes, depending on the friend's tastes. It was a good yarn. An unexpectedly interesting thing about it was the time when it was written (first published in 1933). I enjoyed the portrayal of aspects of life at that time - the advertising business, drugs, office life for men and women - written naturally when it was all contemporary, rather than as nostalgia or social commentary. I liked the fact that it was normal - and rather dashing - for Lord PW to put on a monocle.

What did you like best about this story?

Lively characters, good writing, fun.

Any additional comments?

This is the first Dorothy L Sayers book that I've read. I'll definitely be reading more.

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1 person found this helpful

  • Overall
    4 out of 5 stars
  • Performance
    2 out of 5 stars
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    3 out of 5 stars

Pure Sayers ruined by pronunciation of Bredon

What made the experience of listening to Murder Must Advertise the most enjoyable?

The strength of Sayers plotting and the twists of the plot.

How would you have changed the story to make it more enjoyable?

If the narrator had listened to someone actually reading On Bredon Hill.

How did the narrator detract from the book?

I could not come to grips with Wimseys's name pronounced as "breddon". It is pronounced "Breedun" . Spend two minutes finding On Bredon Hill - which is referred to in the text, making this an unforgivable error- on YouTube. It grated so very much. If the narrator didn't know or research this, then the editor should have. A pathetic and unnecessary mistake which had me clenching my fists on each hearing. Listen to the dramatised version with Ian Carmichael. A brilliant production and the one I should have bought.

Was this a book you wanted to listen to all in one sitting?

No

Any additional comments?

Get the editors to do their homework.

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15 people found this helpful

  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

Spiffing good fun.

Very interesting, a ripping good yarn old bean! Also great to hear about advertising and office life in the 1920s.

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  • Overall
    3 out of 5 stars
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    1 out of 5 stars
  • Story
    4 out of 5 stars

OK story, poor reading

Any additional comments?

I have never felt this to be one of the better Peter Wimsey stories - the plot is overcontrived to fit around an advertising agency, the de Momorie crowd are cardboard cutouts, and the harlequin episodes are downright embarassing - but the advertising agency and its staff are enjoyable and the story bounces along at a reasonable pace. This reading of it is poor, however - I could almost forgive the mispronunciation of Bredon, but the dull and repetitive tone and constantly misplaced emphasis becomes very wearisome. Dorothy L Sayers deserves better - I hope someone will re-issue the whole series read by someone who can read them as if they are actually enjoying the job.

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4 people found this helpful

  • Overall
    5 out of 5 stars

Very enjoyable.

One of my favourite Dorothy L Sayers' stories, expertly performed. I was worried about a female narrator for this piece, but no problem. Who is to say what is the correct pronunciation citation of Bredon, only Death is explained in the book.

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  • Overall
    4 out of 5 stars
  • Performance
    2 out of 5 stars
  • Story
    5 out of 5 stars

Wonderful tale, accurately but poorly rendered.

DLS’s stories are old favourites of mine, read and re-reread many, many, times. These Jane McDowell readings are accurate and the French well rendered but the lady, hard though she tries, has a poor command of the idiomatic. She rather breathlessly renders many phrases with incorrect emphasis. Many an old-fashioned phrase is less than perfectly interpreted. Rehearsal and editing might help. A great pleasure tinged with irritation.

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1 person found this helpful

  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

Very entertaining

I really enjoyed this. I know a lot of people seem upset by the narrator, but personally I didn’t have any problem with her performance.

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

Lord Peter at his best

Love these dramatized books so much. characters excellent, well acted and most enjoyable to listen too

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

Murder Must Advertise

This is a brilliant complex murder mystery, with ment turns that take you on the journey.

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  • Overall
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    5 out of 5 stars

Charming, elegant, exciting

A murder set in an advertising agency in the early 30ies, with a dash of the narcotics trade of the era, not forgetting a good sprinkling of cricket…

Maybe the most poetic of the LPW stories, having a double identity issue, thoughts on the morality of advertising, and the playfulness of Harlequin as interesting counterpoints.

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