In Nightfall
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Narrated by:
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Elena Rey
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By:
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Suzanne Young
About this listen
In the quaint town of Nightfall, Oregon, it isn't the dark you should be afraid of—it's the girls. The Lost Boys meets Buffy the Vampire Slayer in this propulsive novel from the New York Times bestselling author of The Treatment.
Theo and her brother, Marco, threw the biggest party of the year. And got caught. Their punishment? Leave Arizona to spend the summer with their grandmother in the rainy beachside town of Nightfall, Oregon—population 846 souls.
The small town is cute, when it’s not raining, but their grandmother is superstitious and strangely antisocial. Upon their arrival she lays out the one house rule: always be home before dark. But Theo and Marco are determined to make the most of their summer, and on their first day they meet the enigmatic Minnow and her friends. Beautiful and charismatic, the girls have a magnetic pull that Theo and her brother can't resist.
But Minnow and her friends are far from what they appear. And that one rule? Theo quickly realizes she should have listened to her grandmother. Because after dark, something emerges in Nightfall. And it doesn’t plan to let her leave.
©2023 Suzanne Young (P)2023 Listening LibraryCritic reviews
"A delicious tale filled with desire and bite." —Kirkus Reviews
“Atmospheric and chilling, In Nightfall is a campy, creepy, fangtastic thrill ride to the last page! I dare you not to read this in one deliciously bloodcurdling sitting.” —Amalie Howard, USA Today bestselling author
“Suzanne Young’s In Nightfall breathes life into the vampire genre. Female villainess vamps reign supreme with the wittiest dialog since Buffy. Move over, Sunnydale: Nightfall is about to become the vampire capital of the world.” —Diana Rodriguez Wallach, author of Small Town Monsters and Hatchet Girls
What listeners say about In Nightfall
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Alexd23
- 25-11-23
In desperate need of an editor
Great narration, writer's style is clunky and lacks flow. A lot of superfluous language that overexplains character emotions, motivations, actions etc. Almost every other line of dialogue is suffixed with an exact description of how the line is intended to be received or how it is being said which in context is perfectly obvious via inference 99% of the time. ""What is that?" she asked questioningly" type of stuff. Makes for a frustrating listen.
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