Haweswater
Failed to add items
Add to basket failed.
Add to wishlist failed.
Remove from wishlist failed.
Adding to library failed
Follow podcast failed
Unfollow podcast failed
£0.00 for first 30 days
Haweswater
Buy Now for £15.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
-
Narrated by:
-
Jilly Bond
-
By:
-
Sarah Hall
About this listen
It is 1936 in a remote dale in the old northern county of Westmorland. For centuries the rural community has remained the same, the Lightburn family has been immersed in the harsh hill-farming tradition.
Then a man from the city of Manchester arrives, spokesman for a vast industrial project that will devastate both the landscape and the local community. Mardale will be flooded to create a new reservoir, supplying water to the Midland cities. In the coming year this corner of Lakeland will be evacuated and transformed.
Jack Liggett, the Waterworks' representative, further compounds the problems faced by the village as he begins a troubled affair with Janet Lightburn. A woman of force and strength of mind, her natural orthodoxy deeply influences him. Finally, in tragic circumstances, a remarkable, desperate act on Janet's part attempts to restore the valley to its former state.
Told in luminous prose with an intuitive sense for period and place, Haweswater remembers a rural England that has been disappearing for decades, and introduces a young storyteller of great imaginative and emotional power.
Sarah Hall was born in Cumbria and currently lives in Norwich, Norfolk. She is the author of four novels: Haweswater, The Electric Michelangelo, The Carhullan Army, and How to Paint a Dead Man; a collection of short stories, The Beautiful Indifference; original radio dramas; and poetry.
She has won several awards, including the Commonwealth Writers’ Prize for Best First Novel, the Betty Trask Award, the John Llewellyn Rhys Prize, the James Tiptree, Jr. Award, the Edge Hill University Short Story Prize, and has twice been recipient of the Portico Prize. She has been shortlisted for the Man Booker Prize, the Prix Femina Etranger, the Arthur C. Clarke Award for science fiction, the BBC National Short Story Award, and the Frank O’Connor International Short Story Award. This year she was named one of Granta’s Best Young British Novelists.
©2003 Sarah Hall (P)2014 Audible StudiosListeners also enjoyed...
What listeners say about Haweswater
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
-
Overall3 out of 5 stars
-
Performance1 out of 5 stars
-
Story4 out of 5 stars
- R W
- 25-10-24
Dreadful narration
Strongly recommend reading this rather than listening - worst attempt at Cumbrian accents I’ve ever heard. Difficult to appreciate characters when they’re read with cartoon voices.
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!
-
Overall3 out of 5 stars
-
Performance3 out of 5 stars
-
Story2 out of 5 stars
- chris
- 29-01-24
STYLE OVER CONTENT
I bought the paperback and followed the narration with the page. The performance for the most part is good, however some of the characterisations were poor. The dialogue is colloquial and I am sure the author researched it well, but when the narrator reads these the lines she sounds as if she is reliving herself on the toilet, very distracting. The novel is over written, the author is showing off her incredible command of English and forgets to get on with it. I found the central relationship overblown and unbelievable, in fact I skipped the more hysterical first sexual encounters as they read like a bad Jackie Collins novel. I do think it is worth a listen, if you are patient and because of my love of audiobooks I did persevere and for the most part glad that I did.
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!
-
Overall3 out of 5 stars
-
Performance4 out of 5 stars
-
Story3 out of 5 stars
- KJ
- 16-05-18
Beautiful & Evocative
To enjoy this book you have to slow to the pace of the fells, it's not a quick read bogged down in rain and mud and earth - but this isn't a criticism. The text is like a landscape painting, rich and visceral, the view unchanged in centuries. You have to take time to appreciate it, immerse yourself in the view.
The characters have been chiselled out of Cumbrian stone, hard and and unyielding, or somehow impenetrable, as if the landscape clings to them as much as they cling to it and their way of life. ,
The water is wonderfully evocative throughout the book, the giver and taker of lives. The valley 'built for holding water' contrasted to Jack's father trying to keep the water in the canal, a pointless task.
The start of Part Two dragged, it was difficult to place the reader without the help of familiar characters, though the impersonal tone could reflect the corporation. This titular section, written with extreme authority, was slightly like a history textbook at times.
I am not sure if any of this novel is based on a true story but certainly it's highly informed and by the end it felt like 'truth' - merging no doubt with fiction. But that is Hall's strength.
As with 'The Wolf Border', Hall deftly rises the tension throughout the book, arriving at its dramatic conclusion, and surprising epilogue. I'm not not sure if we needed the epilogue, whether it made the book less believable.
Fall into the landscape and be absorbed by its timeless beauty and fragility - or adaptability to change. .
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!
-
Overall3 out of 5 stars
-
Performance1 out of 5 stars
-
Story4 out of 5 stars
- Sarah
- 19-12-18
Narration kills the beauty of the story
I love this author but found the narration intensely annoying and wish I had just read it rather than buying this audiobook. The clipped middle class voice reminded me of being in a schoolroom - no warmth or correlation to the tone of the story. The attempt to bring characters to life with ‘local’ accents and delivery was even worse as it bore little resemblance to any accent I am familiar with in the old or young. Coming from the area where the book is set I cringed every time the narrator voiced a character.
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!
2 people found this helpful
-
Overall3 out of 5 stars
-
Performance1 out of 5 stars
-
Story5 out of 5 stars
- DK
- 08-03-21
Please do NOT act when narrating
It is the second time that a beautiful book gets destroyed for me by the narration. Why do some narrators feel they need to play-act the characters by changing their voice or their accent? It is distracting and very, VERY irritating.
Editors, please, make them stop!
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!
-
Overall2 out of 5 stars
-
Performance1 out of 5 stars
-
Story5 out of 5 stars
- Moira Wright
- 21-06-24
Great book shame about the narrator
Couldn’t bare to listen to this . The narrator had me laughing fir all the wrong reasons
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!
-
Overall1 out of 5 stars
-
Performance1 out of 5 stars
-
Story1 out of 5 stars
- Emlyn
- 10-12-17
Melodramatic farce
What a let down after the Wolf Border. The plot was very poor and the characters irritating. There was too much Mills & Boon in there to make it bearable. The whole thing had an air of unreality about which made the writing seem very immature. None of this was helped by the Thesp who read it- every sentence was utterly over read!
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!