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Don't Go There

By: Missy Johnson
Narrated by: Chris Chambers, Elizabeth Hart
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Summary

Vodka should come with a warning: mixing with karaoke will make you do stupid shit, like sing that song you wrote when you were 14 about the boy who broke your heart. At least he didn't see it. Oh wait. He did.

I should've just stayed home. The only reason I came was to stop Lily from doing something stupid, like crash her ex-boyfriend's wedding. When I open my hotel room door to find Adam standing there, that sexy smirk tells me he's hasn't changed. He's still the same arrogant asshole who made my childhood hell.

He insists on driving us home, and while he's the last person I want to be around, he and I both know it's a bad idea for Lily to be anywhere near that wedding. I'm on the road trip from hell with my heartbroken cousin and the one guy I can't stand.

What was I thinking?

Contains mature themes.

©2018 Missy Johnson (P)2018 Tantor
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What listeners say about Don't Go There

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  • Overall
    3 out of 5 stars
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    3 out of 5 stars
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    3 out of 5 stars

Not as good as the others in the series

Story was pretty unbelievable the whole way through...wasn't terrible but the others in this series are significantly better.

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

FUNNIEST BOOK IN THE SERIES SO FAR... 🤣🤣🤣

This book had me howling with laughter 🤣 Had me Googling some stuff too... 🫣

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  • Overall
    2 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    1 out of 5 stars

Mixed reviews

I am a bit conflicted about this story, main part is spicy outrageous romantic comedy that is not really bad but then parts of it is supposed to be cop story with bad guys and trafficed and abused women but that falls flat because the cop doesn't work, sets his best friend up with the daughter of the mob boss he is betraying and then everything working out against impossible odds and in no part due to the cop. Worst were couple of minutes discussing murdered child like that at any point belongs in comedies or romance.
It is like the author is trying to hard to make her book different but doesn't comprehend that there is a reason why nobody adds murdered children to romantic comedies.

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