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Child of the Ruins

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Child of the Ruins

By: Kate Furnivall
Narrated by: Gloria Sanders, Imogen Church
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About this listen

Anna and Ingrid have survived World War II. Now they must live through the Berlin airlifts.

Evocative and unforgettable, CHILD OF THE RUINS is set during the Berlin air lifts of 1948 and written by one of the most brilliant writers of historical fiction in the UK.

People are disappearing. I spoke to my neighbour yesterday, we laughed at some nonsense, and today he is gone. We only discovered he was missing because the dog wouldn't stop howling and we all knew he would never leave his beloved pet. So I am careful, extremely careful.

Two families divided by war.

An entire city on the edge of disaster.

1948, Berlin. World War II has ended and there is supposed to be peace; but Russian troops have closed all access to the city. Roads, railway lines and waterways are blocked and two million people are trapped, relying on airlifts of food, water and medicine to survive. The sharp eyes of the Russian state police watch everything; no one can be trusted.

Anna and Ingrid are both searching for answers - and revenge - in the messy aftermath of war. They understand that survival comes only by knowing what to trade: food; medicine; heirlooms; secrets. Both are living in the shadows of a city where the line between right and wrong has become dangerously blurred. But they cannot give up in the search for a lost child...

©2023 Kate Furnivall (P)2023 Hodder & Stoughton Limited
20th Century Historical Romance World War II Fiction War City
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Child of the ruins, RUINED by the narration

A well researched novel of Berlin during the Air Lift where the descriptions of life make you feel you are there. Unfortunately the whole is spoilt by the idea that when there is speech it has to be given in a cod CHerman accent. . This interferes with the smooth listening to what becomes a fast paced intrigue. I resorted to the print version for a while and then returned to see if things improved. Sadly not, but the story itself takes over and if you can ignore the dreadful accents, you will enjoy a Kate Furnivall novel which is up to her usual standard. More please Kate, but someone sort out the narration for the next one.

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Then neverending tension...

I disliked nothing except Ingrid's 'betrayal but then she help Ana and her Family escaped. that should count for something

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