Arcadia cover art

Arcadia

Preview

£0.00 for first 30 days

Try for £0.00
Pick 1 audiobook a month from our unmatched collection - including bestsellers and new releases.
Listen all you want to thousands of included audiobooks, Originals, celeb exclusives, and podcasts.
Access exclusive sales and deals.
£7.99/month after 30 days. Renews automatically. See here for eligibility.

Arcadia

By: Tom Stoppard
Narrated by: Kate Burton, Mark Capri, Jennifer Dundas, Gregory Itzin, Christopher Neame, Peter Paige, Douglas Weston
Try for £0.00

£7.99/month after 30 days. Renews automatically. See here for eligibility.

Buy Now for £6.99

Buy Now for £6.99

Confirm Purchase
Pay using card ending in
By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.
Cancel

About this listen

Tom Stoppard's Arcadia merges science with human concerns and ideals, examining the universe's influence in our everyday lives and ultimate fates through relationship between past and present, order and disorder and the certainty of knowledge. Set in an English country house in the years 1809-1812 and 1989, the play examines the lives of two modern scholars and the house's current residents with the lives of those who lived there 180 years earlier.

An L.A. Theatre Works full cast performance featuring:

Kate Burton as Hannah

Mark Capri as Chater

Jennifer Dundas as Thomasina

Gregory Itzin as Bernard Nightingale

David Manis as Captain Brice

Christopher Neame as Noakes/Jellaby

Peter Paige as Valentine

Darren Richardson as Augustus

Kate Steele as Chloe

Serena Scott Thomas as Lady Croom

Douglas Weston as Septimus

Music composed and arranged by John Rubinstein.

Includes an interview with Steven Strogatz, the author of Nonlinear Dynamics and Chaos and professor at the Cornell University School of Theoretical and Applied Mathematics.

Directed by John Rubinstein. Recorded at The Invisible Studios, West Hollywood, in December of 2008.

Arcadia is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world.

©2009 L.A. Theatre Works (P)2009 L.A. Theatre Works
Drama & Plays European United States
activate_Holiday_promo_in_buybox_DT_T2

Listeners also enjoyed...

Tom Stoppard: A BBC Radio Collection cover art
Paradise Lost cover art
The Real Thing cover art
Copenhagen cover art
The Go-Between cover art
Herzog cover art
The Trick of It cover art
Promises Made Under Fire cover art
Goodbye to All That cover art
A Room of One's Own cover art
Tom and Viv cover art
Hamlet cover art
Bleak House cover art
High Rising cover art
Loitering with Intent cover art
The Admirable Crichton (Dramatised) cover art

Critic reviews

“Tom Stoppard’s richest, most ravishing comedy to date. A play of wit, intellect, language, brio and emotion,” and The Royal Institution of Great Britain calls it: “the best science book ever written.” ( )The New York Times)

What listeners say about Arcadia

Average customer ratings
Overall
  • 4.5 out of 5 stars
  • 5 Stars
    42
  • 4 Stars
    16
  • 3 Stars
    12
  • 2 Stars
    0
  • 1 Stars
    0
Performance
  • 4 out of 5 stars
  • 5 Stars
    23
  • 4 Stars
    16
  • 3 Stars
    6
  • 2 Stars
    3
  • 1 Stars
    0
Story
  • 4.5 out of 5 stars
  • 5 Stars
    36
  • 4 Stars
    8
  • 3 Stars
    6
  • 2 Stars
    0
  • 1 Stars
    0

Reviews - Please select the tabs below to change the source of reviews.

Sort by:
Filter by:
  • Overall
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    4 out of 5 stars

Engaging and entertaining.

I was a little reluctant to listen based on previous reviews about the accents of the American actors. I eventually bought it as I wanted to hear a dramatic performance and found it on the whole an enjoyable experience. You would have to be very picky to find the accents annoying so if you are doubtful like I was then go for it and don't be put off.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

3 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

A great play well performed

Would you consider the audio edition of Arcadia (Dramatized) to be better than the print version?

Although the question of comparing a printed version to the audio edition is somewhat strange, as it is a play, I prefer the audio version of Arcadia.

Any additional comments?

A great, great play - heartily recommended. Stoppard at his finest.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

1 person found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    5 out of 5 stars

Best play of the 20th Century

This recording is fine - the actors are just ok.
The play itself? Unsurpassed. It really needs to be watched rather than just listened to, but however you access it there is something magical to find. Literally, structurally, philosophically, scientifically, mathematically... In my opinion, the 20th Century gave us no better English language play.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

2 people found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    5 out of 5 stars

OK

Excellent play and most of the actors good but some of the accents a bit dodgy. The people playing Bernard and especially Chloe mispronounce Nightingale every time and their accents are wobbly. Chloe sounds a bit like Dick Van Dyke in Mary Poppins. the actors playing Hannah and Thomasina are very good.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

1 person found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    3 out of 5 stars

Difficult subject matter, and a bit mis-cast.

Would you say that listening to this book was time well-spent? Why or why not?

While this witty and erudite play text provides both entertainment and intellectual challenge, problems with the production rather spoiled my enjoyment.

What was your reaction to the ending? (No spoilers please!)

This isn't really relevant to a drama text.

What aspect of the narrators’s performance might you have changed?

Well, this isn't an audiobook, but an audio production of a play, so there are multiple voices. Here lies my main problem. As a UK listener, I could not suspend my disbelief in the English accents of some of the American actors playing British roles. They weren't terrible, and a US listener might not have a problem with this aspect of the performance. However, it is not just a matter of pronunciation or vowel sounds. Sentences were stressed in an unidiomatic way, and meaning was sometimes lost.There are some complex mathematical and intellectual ideas presented here, so clarity of meaning is important.

The play is split into two time frames, that of the 18th century juxtaposed with a modern setting. It seems to me that the actors chosen for the 18th century sections were native Brits (or if not, American actors with impeccable accents and delivery.) The contemporary sections are voiced with American actors who can't quite get it right. The production also sounds under-rehearsed in the contemporary sections, with some rather emotionally unvaried performances.

There are also some visual effects which are hard to reproduce in audio format, which could have been edited out.

I have listened to many LA Theatre Works offerings and they are generally excellent. Even the Ayckbourn plays with mixed US/British casts are almost completely convincing. This was a disappointment.

Was Arcadia worth the listening time?

Not entirely. This is a stimulating but complex text which is nearly 3 hours in length. It needs better acting and direction in parts to justify the committment from the listener.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

5 people found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    2 out of 5 stars
  • Story
    4 out of 5 stars

US actors doing posh British accents

There are some very good things about this recording. It's clear, entrances and exits are by and large well delineated. It makes sense, allowing for the complexity and farcical nature of the narrative. The fact that a significant character who never speaks may or may not be in the room is a problem for any audio adaptation.

It is unfortunate, however, that a very significant character bears the surname Nightingale. Pronounced in English English with almost equal stress on all 3 syllables, pronounced by these actors as a dactyl (NITE-n-gale) with the last two syllables swallowed. Consequently, every time the character is referred to, I wince, and that, and other pronunciation infelicities, makes this an unhappy listening experience. I suppose if you don't know it's wrong, it doesn't matter. Maybe calling General Powell COLL-INN, not colon, seems very wrong to American listeners.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

3 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Excellent

Excellent but you need a copy of the written play to follow it, especially the last scene since the stage directions, which are not read outloud in this recording, play a crucial role, keeping that in mind it is a great play and very well performed.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

1 person found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    2 out of 5 stars
  • Story
    5 out of 5 stars

Witty writing but dreadfully miscast.

One of the most amusing and inventive plays of the last fifty years but this production fails to do it justice. Some very uncertain pronunciation and at times poor articulation and generally the parts are under characterised. Such a pity.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!