Showing results by author "Arthur Schopenhauer" in All Categories

Schopenhauer was just 30 when his magnum opus, Die Welt als Wille und Vorstellung, a work of considerable learning and innovation of thought, first appeared in 1818.

Much to his chagrin and puzzlement (so convinced was he of its merits), it didn't have an immediate effect on European philosophy, views and culture. It was only decades later that it was recognised as one of the major intellectual landmarks of the 19th century.

'The two foes of human happiness are pain and boredom.' Arthur Schopenhauer (1788-1860) was one of the most influential philosophers of the 19th century because his humanistic, atheistic, if pessimistic views chimed with a new secularism that was emerging from a Western society dominated by religion. Despite his rather forbidding image (and a few outdated views), he is one of the most approachable German philosophers, and this is certainly evident in these two key works, The Wisdom of Life and Counsels and Maxims.

Unveiling the profound reflections and philosophical musings of legendary thinker Arthur Schopenhauer, this collection compiles some of his greatest works, providing modern listeners with a detailed and unparalleled glimpse into Schopenhauer’s worldview and philosophy. Perfect for newcomers to Schopenhauer’s philosophy and experienced intellectual adventurers alike, the Schopenhauer Collection serves as an ideal handbook or reference guide for students, as well as anybody who wants to gain a deeper understanding of the ideas that came to dominate 19th century philosophy.

There is a cause, or a reason, behind everything that happens. This is the fundamental view behind the classical proposition the Principle of Sufficient Reason, which, in 1813, Schopenhauer chose as his subject for further examination in his doctoral dissertation On the Fourfold Root of the Principle of Sufficient Reason....

The original edition of The World as Will and Idea appeared in 1818, but in 1844 Schopenhauer published an expanded version. It contained the 'Criticism of the Kantian Philosophy', a lengthy document; and Supplements to the First Book ( The Doctrine of the Idea of Perception) and the Second Book ( The Doctrine of Perception or Knowledge of the Understanding).

A classic guide to tricks and tactics for winning arguments, with commentary on the use of and defense against each tactic. The best summary of this audiobook is "being right doesn’t mean you’re gonna win, and this is why". It’s the ultimate guide to spotting the many different kinds of bull people pull in order to win over the crowd, rather than argue the point at hand. There’s very few of them that don’t immediately bring examples to mind, and having it laid out clearly like this is the perfect armour to stop people derailing you.

"The Art of Controversy or The Art of Being Right" is an acidulous, sarcastic treatise written by the German philosopher Arthur Schopenhauer. In it, Schopenhauer examines a total of thirty-eight methods of showing up one's opponent in a debate. He introduces his essay with the idea that philosophers have concentrated in ample measure on the rules of logic, but have not engaged with the darker art of the dialectic, of controversy.

The World as Will and Idea by Arthur Schopenhauer presents his philosophy that reality is driven by a metaphysical will, influencing all aspects of life and existence. Schopenhauer, a German philosopher, is known for his pessimistic philosophy, emphasizing that desire causes suffering. This work has profoundly influenced both philosophical thought and literature.

Arthur Schopenhauer's The Art of Literature is a lively, illuminating and brutally honest collection of essays on literary style and values, writers and critics, and the nature of genius. Schopenhauer advises seclusion and independent thought, criticizes Pliny's reading habits, and explains the pitfalls of certain schools of thought and even virtues like modesty. His thought-provoking arguments, caustic wit, and accessible style make this a must for any aspiring writer.

Parerga means 'supplementary to a main work', and Paralipomena suggests a further supplement, but these two books were anything but a casual addition to his major opus, The World as Will and Idea. For a start, it was the publication of Parerga and Paralipomena in 1851 which brought Schopenhauer to the attention of the general public, decades after The World as Will and Idea first appeared.

In this final part to Schopenhauer's momentous and hugely influential work, his original and wide-ranging observations are as lively as ever. Though cast as a 'pessimist' by history, he is anything but that to read - and listen to. Here are the last supplementary comments his original work (published 1818), the fruit of decades of further reflection.

"L'art d'avoir toujours raison" est un petit traité pratique et humoristique de mauvaise foi : de façon à la fois sarcastique et pragmatique, Schopenhauer y expose une série de stratagèmes permettant de l'emporter lors de controverses, indépendamment de la vérité du point de vue que l'on soutient.

The best summary of this book is ‘being right doesn’t mean you’re gonna win, and this is why’. It’s the ultimate guide to spotting the many different kinds of bullshit people pull in order to win over the crowd, rather than argue the point at hand. There’s very few of them that don’t immediately bring examples to mind, and having it laid out clearly like this is the perfect armour to stop people derailing you.

The essays in The Two Fundamental Problems of Ethics have a rather special place in Schopenhauer’s work, both being written as entries to Scandinavian philosophy competitions, one in Norway and one in Sweden.

There are, in total, 31 Essays, 24 of which are presented here. The range of topics is very varied, opening with 'On Philosophy and Its Method' and including 'On Pantheism', 'On Ethics', 'On Jurisprudence', 'On Men of Learning', 'On Thinking for Oneself', 'On Religion' and 'The Vanity of Existence'. Quite a few open windows on to the personality of Schopenhauer himself - for example, he praises dogs as companions, argues that animals should be chloroformed before slaughter: animal welfare was very much in his sights.

AMA Audiolibros presenta la Narración en Español (acento Castellano) a cargo de Artur Mas de: El arte de ser feliz, explicado en 50 reglas para la vida. Este es el título de una serie de artículos que escribió el filósofo alemán Arthur Schopenhauer (1788-1860), recopilados y posteriormente publicados. A diferencia de "El arte de tener razón", que ya en forma manuscrita aparece como una pequeña obra acabada, "El arte de ser feliz nunca fue terminada" y quedó en su forma más básica: "50 Reglas para la Vida" de las que se compone se redactaron en diversos momentos.

Auch wenn Arthur Schopenhauer (1788 - 1860) zeit seines Lebens als Misanthrop galt, waren seine "Aphorismen zur Lebensweisheit" dennoch ein veritabler Bestseller. Wie führe ich das Leben möglichst angenehm und glücklich? Diese simplen und doch hochkomplexen Fragen beantwortet Schopenhauer in seinem überaus erfolgreichen und noch heute beliebten Werk.

Schopenhauer escribió El arte de tener razón (o Dialéctica erística) para sistematizar «las astucias, ardides y bajezas» que empleamos cuando discutimos con la única finalidad de hacer prevalecer nuestras ideas. En la época en que Hegel señalaba la dialéctica como el único camino para alcanzar la culminación del Espíritu, Schopenhauer, su irreductible antagonista, la entendía como el florete a blandir en el particular combate de esgrima que es cualquier discusión.

Das zweite Buch des ersten Bandes des Klassikers. "Ich gehöre zu den Lesern Schopenhauers", schrieb Friedrich Nietzsche, "welche, nachdem sie die erste Seite von ihm gelesen haben, mit Bestimmtheit wissen, dass sie alle Seiten lesen und auf jedes Wort hören werden, das er überhaupt gesagt hat". Und so wie es Nietzsche mit der Lektüre von Schopenhauer ging, so ging - und geht es bis heute - vielen, die an tieferen Einsichten in die Möglichkeiten und Bedingtheiten unserer Erkenntnisfähigkeit in die Welt interessiert sind.

"Ich gehöre zu den Lesern Schopenhauers", schrieb Friedrich Nietzsche, "welche, nachdem sie die erste Seite von ihm gelesen haben, mit Bestimmtheit wissen, dass sie alle Seiten lesen und auf jedes Wort hören werden, das er überhaupt gesagt hat". Und so wie es Nietzsche mit der Lektüre von Schopenhauer ging, so ging - und geht es bis heute - vielen, die an tieferen Einsichten in die Möglichkeiten und Bedingtheiten unserer Erkenntnisfähigkeit in die Welt interessiert sind.