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Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition.

As private as she was eccentric, Emily Dickinson published only a handful of poems in her lifetime. Most of her work, much of which dealt with themes of death and immortality, was published posthumously, to mixed reviews. But it would be her unconventional poetic style, which was most criticized early on, that would ultimately gain her recognition as one of the greatest American poets of all time. Here, a lovely sampling of the poems of Emily Dickinson is presented for your listening pleasure.

November - the 11th month of the year in the Gregorian calendar, when the land becomes bleaker, harsher but no less beautiful for that. For our poets, including Hood, Arnold, Melville, Alford, and Hardy, there is much to write and comment on.

Emily Elizabeth Dickinson was born in 1830 in Amherst Massachusetts. Rightly regarded as a major American poet, her life was sheltered, introverted, and reclusive. Despite writing over 1800 poems, only a dozen or so were published during her lifetime. Her structures and wordings are at times difficult to get to grips with, though recurring themes of religion and death certainly shadow many of her works.

Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown. Drayton first published, in 1590, a volume of spiritual poems: The Harmony of the Church. Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. In 1593 he published Idea: The Shepherd's Garland, nine pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64-sonnet cycle.

When the wind blows and the rain lashes, our emotions can become dulled and our thoughts depressed but sometimes these swirling conditions can excite and invigorate. Whether we shut the door physically or delight in watching nature's displays, we cannot ignore the weather. It’s the natural topic of conversation for the British. Summer breezes and spring showers can elevate our senses, bringing a thump to the heart, a grin to the face and an abandon to immerse yourself in nature's ever changing wonders.

Robert Southey was born on the 12th of August 1774 in Bristol. A poet of the Romantic school and one of the 'Lake Poets'. Although his fame has been eclipsed by that of his friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse was highly influential and he wrote movingly against the horrors and injustice of the slave trade. Among his other classics are Inchcape Rock as well as a number of plays including Wat Tyler.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide.

Alexander Pope was born on May 21st, 1688 into a Catholic family in London. Over the years and centuries since his death, Pope’s work has been in and out of favour, but with this distance he is now truly recognised as one of England’s greatest poets. This volume comes to you from Portable Poetry, a specialised imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.

We all love animals, even if sometimes its only from afar on TV or at a zoo. But many of us have felt a closer friendship and companionship with our friends in the animal world. We talk and react to them as if they really do understand us. Perhaps they do. In this volume Hardy, Thackeray, Carroll, DH Lawrence, Emily Dickinson, and many others share their words with our ears.

Love is a universal feeling but a few lines of musings from a poet - assembled words perhaps softly spoken - can express a romance or desire that if we don't yet have we'd probably like to. And so poets have burnished their dreams throughout history and across the globe, in every culture past and present. For most of us Indian Love Poetry tends to be the erotic and explicit Kama Sutra and The Perfumed Garden.

In this volume we examine some of the short stories of William Makepeace Thackeray. The great author of Vanity Fair and The Luck of Barry Lyndon was born in India in 1811. At age five his father died, and his mother sent him back to England. His education was of the best, but he himself seemed unable to apply his talents to a rigorous work ethic. After a few years of marriage his wife began to suffer from depression and over the years became detached from reality.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. ‘Rapaccinni’s Daughter’ is a classic piece of literature from his pen. Set in Italy, it is an unsettling story of romance destroyed by science.

As the sun lengthens its days to summer, so a sport begins to dominate the thoughts and actions of many people. This game, which so encapsulated the village greens and evening song of Middle England, has now spread across the world.

Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant. Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany. With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. In Germany, Hall met Mabel Batten and fell in love despite the 23 year age difference.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear. Its great mass, its shimmering beauty, its raging howl, and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.