Showing results by publisher "Picador" in LGBTQ+

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city.

In an alternate version of 1893 America, The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist's damaged granddaughter tries to navigate life without him - and solve the mystery of her husband's disappearances.

The lonely life of fifteen-year-old Theron David Alden is transformed when he meets Jake. Older, cooler, more confident and startlingly beautiful, Jake likes the same bands, the same drugs, and has the same drive to oblivion. Over the course of two decades, Theron and Jake get high, drift apart, and are brought hurtling back together, until a final collision tears them apart forever.

One winter's afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering.

Hanne is nearly 15, and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls, and friendship doesn't come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance. Hanne's family are Old Lutherans, and in her small village hushed worship is done secretly—this is a community under threat.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the ‘wolves’ – prostitutes and slaves from every corner of the empire – conduct their business.

Today, the options and freedoms on offer to LGBTQ+ people living in the West are greater than ever before. But is same-sex marriage, improved media visibility and corporate endorsement all it’s cracked up to be? At what cost does this acceptance come? And who is getting left behind, particularly in parts of the world where LGBTQ+ rights aren’t so advanced? Combining intrepid journalism with her own personal experience, Amelia Abraham searches for the answers to these urgent challenges, as well as the broader question of what it means to be queer in 2019.

Astrid is returning home from art school on Mars, looking for inspiration. Darling is fleeing a life that never fit, searching for somewhere to hide. They meet on Deep Wheel Orcadia, a distant space station struggling for survival as the pace of change threatens to leave the community behind.

In the late summer of 1913, George Sawle brings his Cambridge friend Cecil Valance, a charismatic young poet, to visit his family home. The weekend will be one of excitements and confusions for everyone, but it is on George’s sixteen-year-old sister Daphne that it will have the most lasting impact. As the decades pass, Daphne and those around her endure startling changes in fortune and circumstance, and as reputations rise and fall, the events of that long-ago summer become part of a legendary story.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

Funny Weather brings together a career’s worth of Laing’s writing about art and culture, examining its role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keefe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

Strasbourg, 1518. In the midst of a blisteringly hot summer, a lone woman begins to dance in the city square. She dances for days without pause or rest, and as she is joined by hundreds of others, the authorities declare an emergency. Musicians will be brought in to play the Devil out of these women. Just beyond the city’s limits, Lisbet lives with her mother-in-law and husband, tending the bees that are their livelihood. And then, as the dancing plague gathers momentum, Lisbet’s sister-in-law returns from seven years’ penance in the mountains for a crime no one will name.

It’s 1993, and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shape-shifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco - a journey through the deep queer archives of struggle and pleasure.

In the Hollywood hills, a mountain lion is struggling to survive. Isolated and afraid in a place devastated by drought, the lion’s endless hunger begins to get to him. As the land around him continues to decay, he begins to fantasize about killing the hikers who pass him. As it protects the precarious welfare of a nearby homeless encampment, it confronts temptations and threats, taking us on a tour that spans the city’s cruel inequalities to the toll of climate grief, all while grappling with the complexities of its own gender identity and memories of a vicious, absent father.

A new poetry collection from Britain's foremost truth-teller, in Divisible by Itself and One Kae Tempest masterfully steers a path between their more public-facing performance and dramatic work and the contemplative voice that came to the fore in Running Upon the Wires. Questions of integrity – hence the prime number of the title – are addressed in direct, affecting terms: how can we be true to ourselves while under constant pressure to conform? Throughout the poems, ideas of form – of the body, gender, and in nature – resurface and resolve.

Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters.

When Carolyn Hays’s child made clear to the family that they were all wrong, he was not a boy, but, in fact, a girl, the Hays shifted pronouns, adopted a nickname and encouraged her to dress as she felt comfortable. One ordinary day, a caseworker from the Department of Children and Families knocked on their door to investigate an anonymous complaint about the upbringing of their transgender child. It was this threat that instilled in them a deep-seated fear for their child’s safety in the Republican state they called home. And so, they uprooted their lives.

Eighteen months before Kathryn Schulz’s beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery—from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic and natural disaster; from finding new planets to falling in love.

Witty, candid, furious, and always compelling, Them! negotiates the fraught and fruitful space between the worlds of ‘online’ and the ‘outside’, and how they fuse and diverge in the imagination. Giles’ visual poetics create an unusually dynamic listening experience as she finds new ways ‘to sing, shout and strike in the cracks of what’s possible’. At a time when trans rights are to the fore in public discourse, Them! is a zestful poetic intervention from one of this generation’s most necessary poets.