Showing results by publisher "Faber & Faber" in LGBTQ+

One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognise himself.

It's week nine of this season of The Catch, and the cast and crew are arriving at their latest exotic location: a remote tree-covered island in the rainy North Pacific. America's most eligible bachelor (*eye-roll*) has whittled down the contestants to the Final Four, but as everyone online knows, he's probably just going to pick Vanessa. So far, so predictable. At the top of Mount Resilience, luxury yurts surround an elegant firepit—all, of course, perfectly staged and lighted. But this week's Elimination Event isn't going to go as planned.

Fierce, mixed-race fighter Shindo has been kidnapped by the yakuza. After brutally beating most of them in an attempt to escape, she is forced to work as a bodyguard to protect the gang boss's sheltered daughter Shoko, a strange, friendless eighteen-year-old who could order Shindo's death in a moment. At first Shindo derides Shoko's naïvete, but as the men around them grow ever more bloodthirsty and controlling, she becomes ferociously devoted to her charge. However, she knows that if things continue as they are, neither woman can expect to survive much longer.

This is Britain: but not as we know it. THEY are coming closer . . . THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; savage mobs stalk the countryside destroying artworks—and those who resist. THEY capture dissidents—writers, painters, musicians, even the unmarried and childless—in military sweeps, 'curing' these subversives of individual identity. Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget ...

Jason Okundaye meets an elder generation of Black gay men and finds a spirited community full of courage, charisma and good humour, hungry to tell its past - of nightlife, resistance, political fights, loss, gossip, sex, romance and vulgarity. Through their conversations he seeks to reconcile the Black and gay narratives of Britain, narratives frequently cleaved as distinct and unrelated. Tracing these men's journeys and arrivals to South London through the seventies, eighties and nineties from the present day, Okundaye relays their stories with rare compassion.

Maggie Millner's seductive debut is a novel-in-verse about a woman in her late twenties who leaves a long-term relationship with a boyfriend for another woman. The affair thrusts her from an outwardly conventional life into queerness, polyamory, kink, and unalloyed, consuming desire. What ensues is an exploration of obsession, gender, identity-making, sexual experiment, and the art and act of literary transformation.

Postcolonial Love Poem is a thunderous river of a book. It demands that every body carried within - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Where the bodies of indigenous, Latinx, Black and Brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.