Plantation owners in the Southern United States regularly furnished their enslaved workers with goods – clothing, shoes, axes, and shovels, that had been manufactured in the North. Many Northern manufacturers specifically targeted the Southern plantation market, enticed by the prospect of selling cheap goods on a regular schedule. While in some cases the Northern manufacturers supported surprising politics – joining the Republican Party and donating to Abolitionist causes – they had no qualms about making their money in an industry adjacent to the slave economy. Joining me in this episode is Dr. Seth Rockman, Associate Professor of History at Brown University and author of Plantation Goods: A Material History of American Slavery.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Relaxing Enchanted Piano” by Mikhail Smusev from Pixabay and is used under the Pixabay Content License. The episode image is “Brogans, Manufacturer Little & Co., third quarter 19th century,” Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Herman Delman, 1955; image is in the public domain.

Additional sources:

• “In order to understand the brutality of American capitalism, you have to start on the plantation,” by Matthew Desmond, The New York Times Magazine, August 14, 2019.
• “Industrialization and Conflict in America: 1840–1875,” by David Jaffee, Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.
• “8. The Market Revolution,” The American Yawp.
• “Industry and Economy during the Civil War,” by Benjamin T. Arrington, National Park Service.
• “In search of slave clothes: A museum director’s hunt for a painful symbol,” by J. Freedom du Lac, The Washington Post, January 20, 2012.
• “Antebellum Tariff Politics: Regional Coalitions and Shifting Economic Interests,” by Douglas A. Irwin, The Journal of Law & Economics 51, no. 4 (2008): 715–41.

In 1879, a group of Spiritualists purchased 20 acres of land, halfway between Buffalo, New York, and Erie, Pennsylvania. The gated community they created, now a hamlet of Pomfret, New York, became known as Lily Dale. Each summer, people came to Lily Dale (and still come) to speak with the dead through Lily Dale’s many licensed mediums. In its early years, modern Spiritualism, which began with the young Fox sisters (Maggie and Kate), often intersected with Women’s Suffrage, and suffragists like Susan B. Anthony were frequent visitors to Lily Dale. Joining me in this episode to help us understand more about Lily Dale and Spiritualism more generally is Dr. Averill Earls, Assistant Professor of History at St. Olaf College, Executive Producer of Dig: A History Podcast, and one of the authors of Spiritualism's Place: Reformers, Seekers, and Séances in Lily Dale.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Night Whisper,” by by Sergio Prosvirini, Free for use under the Pixabay Content License. The episode image is a photograph of “The Lily Dale Museum,” by Plazak, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license, and available via Wikimedia Commons.

Additional Sources:

• Lily Dale Assembly
• “In Good Spirits: Lily dale, New York, is a curious little village where the still-quick commune with the once-quick,” by Bil Gilbert, Smithsonian Magazine, May 31, 2001.
• “Lily Dale, the Town That Speaks to the Dead,” by Bess Lovejoy, Mental Floss, August 26, 2015.
• “This Community Welcomes Mediums, but First You Have to Prove Yourself,” By Anna Kodé, The New York Times, October 27, 2023.
• “The Art of Belief: On Talking to the Dead in Lily Dale,” by Laura Maylene Walter, LitHib, March 23, 2021.
• “In the Joints of Their Toes,” by Edward White, The Paris Review, November 4, 2016.
• “The Mystery of the Three Fox Sisters,” by Arthur Conan Doyle, Psychic Science, October 1922.
• “The Fox Sisters and the Rap on Spiritualism,” by Abbott Kahler, Smithsonian Magazine, October 30, 2012.
• National Spiritualist Association of Churches.

Isabel Truesdell Kelly earned her PhD in Anthropology from the University of California, Berkeley, in 1932, with a dissertation on the “Fundamentals of Great Basin Culture,” having researched the Northern Paiute and Coast Miwok Indigenous cultures of Northern California. After graduating she led excavations in Mexico and then began a career as an anthropologist with the US State Department, which had a growing interest in assisting the scientific and technological development of countries like Mexico as a way of maintaining a toehold in the region during the growing cold war with the Soviet Union. Joining me this week is Dr. Stephanie Baker Opperman, Professor of History at Georgia College, and author of Cold War Anthropologist: Isabel Kelly and Rural Development in Mexico.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Hermoso Mexico,” composed by R. Herrera, arranged and conducted by Guillermo González and performed by Banda González (Victor Band) on May 16, 1919, in Camden, New Jersey; the recording is in the public domain and is available via the Library of Congress National Jukebox. The episode image is “Isabel T. Kelly portrait,” DeGolyer Library, Southern Methodist University.

Additional Sources:

• “Isabel T. Kelly Ethnographic Archive,” Southern Methodist University (SMU) Libraries.
• “Isabel Truesdell Kelly,” The John Simon Guggenheim Memorial Foundation.
• “Isabel T. Kelly's Southern Paiute Ethnographic Field Notes, 1932-1934, Las Vegas,” compiled and edited by Catherine S. Fowler and Darla Garey-Sage, Smithsonian Libraries and Archives.
• “Isabel T. Kelly: Pioneer Great Basin Ethnographer,” by Catherine S. Fowler, Journal of California and Great Basin Anthropology 36, no. 1 (2016): 172–76..
• “With Grit and Determination: A Century of Change for Women in Great Basin and American Archaeology,” by Nicole M. Herzog and Suzanne Eskenazi, University of Utah Press, 2020.