Alphonse and Emina have become lovers. His desire to please her makes him drop his guard and appear in public places. As a double act they go to local villages, beginning to make money and plans for the future: until the past catches up with them...

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By chance, young dancer Emina meets equally youthful, trumpet-playing soldier Alphonse in a barn in the mountains of war-torn Southern Spain. They are both innocent and experienced in entirely different ways. Initially wary, they tell each other stories that weave fact and fiction. She lies and he believes her. He tells the truth and she mistrusts him. But when he plays and she dances, they understand each other perfectly.

Original Music - David Sutton Anderson
Trumpet - Anthony Aarons
Saxophone - Melanie Henry

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After the dramatic series of arrivals and events at the Knap on marriage engagement night in Part 1, the triangle of relationships between Sally Hall, her ex sister-in-law Helena, and Farmer Charles Darton becomes tangled still further by marriage, death, and more courtship interloping.

The path to an eventual denouement highlights the problematic position of women in 19th Century Victorian society, reflecting protofeminist themes that are present in many of Hardy’s major works.

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